A work in constant progress (and occasional regress).
Release Date:
November 22, 2006
Original Title:
Tenacious D in The Pick of Destiny
Alternate Titles:
Kings of Rock – Tenacious D
Reyes del Rock
Tenacious D - A végzet pengetője
Tenacious D - La uña del destino
Tenacious D - Uma Dupla Infernal (2006)
Tenacious D e il destino del Rock
Tenacious D et le Médiator du Destin
Tenacious D et le Pic du Destin
Tenacious D et le Plectre de la Destinée
Tenacious D в Перото на съдбата
Tenacious D, La Pua del Destino
Tenacious D: Kostka Przeznaczenia
Tenacious D: La Púa del Destino
The Pick of Destiny
Выбор судьбы
Медиатор судьбы
Genres:
Adventure | Comedy | Fantasy | Music
Production Companies:
New Line Cinema
Red Hour
Production Countries:
United States of America
Ratings / Certifications:
AU: MA15+ DE: 12 FR: U GB: 15 MX: C NL: 6 US: R
Runtime: 93
In Venice Beach, naive Midwesterner JB bonds with local slacker KG and they form the rock band Tenacious D. Setting out to become the world's greatest band is no easy feat, so they set out to steal what could be the answer to their prayers... a magical guitar pick housed in a rock-and-roll museum some 300 miles away.
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Aerial Director of Photography:
David B. Nowell
Art Department Coordinator:
Mike Piccirillo
Art Direction:
Maria Baker
Camera Operator:
Michael FitzMaurice
Casting:
Juel Bestrop
Jeanne McCarthy
Costume Designer:
Dayna Pink
Costume Supervisor:
Hope Slepak
Director:
Liam Lynch
Director of Photography:
Robert Brinkmann
Editor:
David Rennie
Executive In Charge Of Production:
Erik Holmberg
Executive Producer:
Georgia Kacandes
Cale Boyter
Toby Emmerich
Richard Brener
Ben Stiller
First Assistant Camera:
Thomas Vandermillen
First Assistant Director:
Milos Milicevic
Hair Department Head:
Linda D. Flowers
Hairstylist:
Yeşim "Shimmy" Osman
Key Hair Stylist:
Merribelle Anderson
Makeup Artist:
Ralis Kahn
Makeup Department Head:
Kate Shorter
Makeup Designer:
Barney Burman
Original Music Composer:
John King
Andrew Gross
Producer:
Jack Black
Kyle Gass
Stuart Cornfeld
Production Design:
Martin Whist
Production Illustrator:
David Hartman
Production Supervisor:
Ralph Bertelle
Script Supervisor:
Pamela Alch
Second Assistant Director:
Heather Grierson
Second Second Assistant Director:
Velvet Andrews-Smith
Ivan Kraljević
Second Unit Director:
Rick Avery
Second Unit Director of Photography:
Paul Hughen
Set Decoration:
Don Diers
Songs:
Kyle Gass
Jack Black
Sound Effects Editor:
Derek Vanderhorst
Marc Glassman
Orada Jusatayanond
Clayton Weber
Special Effects Coordinator:
Andy Weder
Special Effects Makeup Artist:
Toni G
Michael Marino
Scott Stoddard
Justin Stafford
Mike Smithson
Steadicam Operator:
Jon Myers
Still Photographer:
Zade Rosenthal
Stunt Coordinator:
Scotty Richards
Rick Avery
Brian Avery
Stunt Double:
Rick Miller
Cole S. McKay
Tad Griffith
John Ashker
Stunt Driver:
Angelique Midthunder
Ed McDermott II
Jody Hart
Stunts:
Mic Rodgers
Brian Machleit
Steve Hart
Sean Graham
Frank Torres
Ian Quinn
Tom Elliott
Larry Rippenkroeger
Danny Wynands
Terry Jackson
Michael Hugghins
Tim Trella
Roger Richman
Buck McDancer
Dean Bailey
Kevin Abercrombie
Lisa Avery
Jeff Brockton
Robert Chapin
Mike Avery
Joni Avery
Eliza Coleman
Doug Coleman
Jack Gill
Supervising Sound Editor:
Elmo Weber
David Bach
Visual Effects:
John Coats
Bill Church
Brent M. Bowen
Visual Effects Supervisor:
David D. Johnson
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.