A work in constant progress (and occasional regress).
Release Date:
September 1, 1999
Original Title:
Chill Factor
Alternate Titles:
50 Degres Fahrenheit
Carga Mortal
Facteur éolien
Stopień ryzyka
急冻任务
热血寒战
Genres:
Action | Comedy | Thriller
Production Companies:
Morgan Creek Entertainment
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 HU: 16 US: R
Runtime: 101
A store clerk and an ice cream truck driver are thrown together when a dying scientist entrusts them with a deadly chemical kept in ice. This chemical will kill every living thing once it melts. They have to take the chemical codenamed 'Elvis' to the next nearest military base while being chased by terrorists who want it to hold the country for ransom.
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ADR Editor:
Denise Horta
ADR Mixer:
Matthew C. Beville
ADR Recordist:
Thor Benitez
ADR Supervisor:
Juno J. Ellis
ADR Voice Casting:
Barbara Harris
Additional Music:
Klaus Badelt
Jeff Rona
Geoff Zanelli
James McKee Smith
Animal Wrangler:
Philip Hoelcher
Art Department Coordinator:
Sonya Duvall
Art Direction:
Fredda Slavin
Assistant Sound Editor:
Dana LeBlanc Frankley
Bradley Clouse
Associate Producer:
David Robinson
Best Boy Grip:
Thomas 'Casey' Jirgal
Boom Operator:
Kevin Cerchiai
CG Supervisor:
Richard Kidd
Camera Operator:
Paul Varrieur
Casting:
Pam Dixon
Co-Producer:
Jeffrey R. Neuman
Martin Wiley
Color Timer:
Gloria Kaiser
Compositing Supervisor:
David Lingenfelser
Construction Coordinator:
Peter Battistelli
Construction Foreman:
Ralph Woollaston
Costume Design:
Deborah Everton
Dialogue Editor:
Mildred Iatrou
Kimberly Lowe Voigt
Digital Compositor:
Marcel Martinez
Craig Mathieson
Director:
Hugh Johnson
Director of Photography:
David Gribble
Dolby Consultant:
Thom 'Coach' Ehle
Editor:
Pamela Power
Executive Producer:
Jonathan A. Zimbert
Bill Bannerman
First Assistant Camera:
Bill Coe
First Assistant Director:
Artist W. Robinson
First Assistant Editor:
Karen Rasch
First Assistant Sound Editor:
David Wolowic
Foley Mixer:
Eric Gotthelf
Gaffer:
Brian Gunter
Key Costumer:
Nina Proctor
Key Hair Stylist:
JoJo Guthrie
Leadman:
Kenneth Bryant
Location Casting:
Shay Bentley Griffin
Location Manager:
Stephen Yetman
Makeup Supervisor:
Rick Pour
Music Editor:
Adam Milo Smalley
Original Music Composer:
John Powell
Hans Zimmer
Pilot:
Ray McCort
Producer:
James G. Robinson
Production Accountant:
Alan J. Lam
Production Design:
Jeremy Conway
Production Sound Mixer:
Peter J. Devlin
Property Master:
Nicholas J. Romanac
Roto Supervisor:
Karen Klein
Screenplay:
Drew Gitlin
Mike Cheda
Script Supervisor:
Deirdre Horgan
Second Assistant Camera:
Bobby McMahan
Second Second Assistant Director:
Maria Battle Campbell
Second Unit Director of Photography:
Jerry G. Callaway
Second Unit First Assistant Director:
John G. Scotti
Set Costumer:
Michaell Keith Taylor Jr.
Set Decoration:
Claudette Didul
Set Designer:
Jeremy Conway
Glenn Rivers
Michael H. Ward
Set Dresser:
Patrick Fuhrman
Lance Totten
Michael Shapiro
Sound Designer:
Bruce Stambler
Sound Effects Editor:
Steve Mann
Joe Divitale
Brian Best
Jay Nierenberg
Sound Re-Recording Mixer:
Chris David
Ken Teaney
Terry Rodman
Special Effects Coordinator:
Mike Vézina
Stand In:
Keith Butler
Still Photographer:
Jon Baronn Farmer
Stunt Coordinator:
Gary Hymes
Stunt Double:
Kathy Jarvis
Stunts:
Richard Bucher
Jophery C. Brown
Patricia Tallman
Brian Stewart
Heather Burton
Bobby J. Foxworth
Jon W. Kishi
Myke Schwartz
Fred Waugh
Dane Farwell
Kathy Jarvis
Les Larson
Tommy J. Huff
Gilbert B. Combs
Keith Woulard
Tim Gilbert
Tierre Turner
Bill Anagnos
Gene Hartline
Cal Johnson
Hugh Aodh O'Brien
Supervising Sound Editor:
Terry Rodman
Technical Supervisor:
Guy Williams
Unit Publicist:
Joan Eisenberg
Visual Effects Art Director:
Lubo Hristov
Visual Effects Producer:
Aaron Dem
Kevin Elam
Visual Effects Supervisor:
Jay Riddle
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.