A work in constant progress (and occasional regress).
Release Date:
March 31, 2006
Original Title:
König der Herzen
Genres:
Romance | TV Movie
Production Companies:
ARD Degeto
Lisa Film
ORF
Production Countries:
Austria | Germany
Ratings / Certifications:
AT: 12
Runtime: 89
Florian König is in his early 20s and lives with his mother. He assists her whenever he can. In the weekly newspaper "Alt Ausseer Bote" he reports on a foundling that has been handed in at the baby hatch of Bad Aussee hospital, and is subsequently dismissed by editor-in-chief Anton Grimmeisen. But when the editor Caroline Moosbichler hears about it, she demands Florian's immediate reinstatement. He is to stay on the story. In the process, he finds out that the mother acted out of pure desperation, and he gets on the trail of the love between Jutta Lechner and Thomas Gschnitzer. This love is the origin of the child.
Assistant Director:
Uli Krause
Assistant Editor:
Ingrid Edtmeier Winkler
Continuity:
Susanne Nowotny
Costume Design:
Birgit Hutter
Director:
Helmut Förnbacher
Director of Photography:
Charly Steinberger
Editor:
Uschi Erber
Lighting Technician:
Florian Göttlinger
Line Producer:
Alfred Strobl
Makeup Artist:
Barbara Spenner
Music:
Hannes Michael Schalle
Post Production Supervisor:
Guenther Mitterhuber
Producer:
Jana Brandt
Hans-Wolfgang Jurgan
Karl Spiehs
Production Accountant:
Friedrich Gruner
Production Coordinator:
Gabriela Schuster
Production Design:
Georg Resetschnig
Production Driver:
Viktoria Zellner
Production Manager:
David Spiehs
Script Consultant:
Karoline Bochdansky
Sound:
Thomas Szabolcs
Dietmar Zuson
Sound Re-Recording Mixer:
Martin Loecker
Unit Manager:
Christine Schwarzinger
Writer:
Werner Sallmaier
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.