A work in constant progress (and occasional regress).
Release Date:
November 4, 1995
Original Title:
The Awakening
Genres:
Drama | Romance
Production Companies:
Alliance Films
CTV
Harlequin
Production Countries:
Canada | Germany | United States of America
Ratings / Certifications:
N/A
Runtime: 87
Sara lives in a small town where everybody knows everybody and her life is an open book. Left with the care of her family home, she has trouble meeting the mortgage payments and her ex-boyfriend is the bank manager attempting to foreclose. When she takes in boarders to meet expenses, she unwittingly rents a room to an international criminal hiding out from a bounty hunter, John Flynn. When the bounty hunter shows up, the criminal takes a hike. Reluctantly admitting that he might need her help, Flynn agrees to make Sara a partner for half the bounty if they catch the missing man in time. What follows is a wild ride where Sara discovered that she is anything but boring and predictable.
Art Direction:
Alistair MacRae
Camera Operator:
Perry Hoffman
Costume Design:
Sharon Purdy
Dialogue Editor:
Steven Toepell
Director:
George Bloomfield
Director of Photography:
Manfred Guthe
Editor:
Susan Shipton
First Assistant Director:
Jill Compton
Hairstylist:
Reg Quindinho
Makeup Department Head:
Marie Nardella
Music Supervisor:
Ron Proulx
Original Music Composer:
Amin Bhatia
Producer:
Norman Denver
Production Coordinator:
Nancy Wilson-Kelly
Production Design:
David Fischer
Script Supervisor:
Anna Rane
Set Decoration:
Kate Redmond
Sound Effects Editor:
Anthony Lancett
Sound Recordist:
Urmas Rosin
Stunt Coordinator:
Larry A. McLean
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.