A work in constant progress (and occasional regress).
Release Date:
December 28, 1974
Original Title:
エスパイ
Alternate Titles:
E.S.P./Spy
E.S.P.Y
ESP-Y
Espy minaccia extrasensoriale
Esupai
La guerra de los poderes ocultos
Genres:
Action | Adventure | Science Fiction | Thriller
Production Companies:
Toho Eizo Bijutsu
Production Countries:
Japan
Ratings / Certifications:
N/A
Runtime: 94
The film deals with the recruitment of race car driver Jiro Miki (Masao Kusakari) and his dog, Caesar, to a group of people who use ESP, psychokinesis, and other special mental abilities to fight crime.
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Animation:
Takeaki Tsukada
Assistant Camera:
Kenichi Eguchi
Co-Director:
Kenjirô Ohmori
Costume Design:
Masahisa Shimura
Director:
Jun Fukuda
Director of Photography:
Shôji Ueda
Kazutami Hara
Editor:
Michiko Ikeda
Executive Producer:
Tomoyuki Tanaka
Fumio Tanaka
Fight Choreographer:
Takamitsu Watanabe
Kazuyoshi Takahashi
Kenyukai Ono
First Assistant Director:
Tsunesaburo Nishikawa
Lighting Technician:
Masakuni Morimoto
Yoshio Oguchi
Lyricist:
Yoko Yamaguchi
Music Arranger:
Kensuke Kyo
Novel:
Sakyo Komatsu
Original Music Composer:
Masaaki Hirao
Kensuke Kyo
Production Design:
Shinobu Muraki
Production Manager:
Keisuke Shinoda
Screenplay:
Ei Ogawa
Songs:
Masaaki Hirao
Sound Recordist:
Toshiya Ban
Special Effects:
Teruyoshi Nakano
Yoshio Tabuchi
Motoyoshi Tomioka
Tadaaki Watanabe
Shoji Ogawa
Mitsuji Matsumoto
Special Effects Assistant:
Yoshio Tabuchi
Still Photographer:
Takashi Nakao
Stunts:
Kazuo Niibori
VFX Director of Photography:
Motoyoshi Tomioka
VFX Lighting Artist:
Yoshio Oguchi
Visual Effects:
Teruyoshi Nakano
Yoshio Tabuchi
Kazunobu Sanpei
Takeshi Miyanishi
Takeaki Tsukada
Visual Effects Camera:
Takeshi Miyanishi
Visual Effects Compositor:
Kazunobu Sanpei
Visual Effects Director:
Teruyoshi Nakano
Yoshio Tabuchi
Vocals:
Kiyohiko Ozaki
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.