Home

I Am Because We Are (2008) [N/A]

Release Date:
April 24, 2008

Original Title:
I Am Because We Are

Alternate Titles:
Eimai giati eimaste
Jestem, bo jestesmy
Malawi AIDS-árvái Madonna szemével

Genres:
Documentary

Production Companies:
Semtex Films

Production Countries:
United States of America

Ratings / Certifications:
 N/A

Runtime: 90

From Africa with love

Overview from TheMovieDB

I Am Because We Are is a 2008 documentary film directed by Nathan Rissman and written, narrated, and produced by Madonna through her production company Semtex Films. The film documents the concern over the millions of orphans in the African country of Malawi who have lost parents and siblings to HIV and AIDS, many of whom live on the streets. The film also shows the efforts with Madonna's charitable organisation Raising Malawi in helping with improving their lives and conditions.

Click the heading above to show or hide the text.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Clip

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

Performers

Click the heading above to show or hide the list.

Production

Assistant Editor:
Hamish Lyons

Camera Operator:
Marc Shap

Cinematography:
Nathan Rissman

Director:
Nathan Rissman

Editor:
Danny Tull

Executive Producer:
Madonna

Line Producer:
Doc Crotzer

Original Music Composer:
Patrick Leonard

Producer:
Angela Becker

Sound Re-Recording Mixer:
Steven Parker
Richard Lewis

Writer:
Madonna

Click the heading above to show or hide the list.

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.