A work in constant progress (and occasional regress).
Release Date:
April 10, 2014
Original Title:
Locke
Alternate Titles:
Locke - No Turning Back
Noční jízda
로크
Genres:
Drama | Thriller
Production Companies:
IM Global
Shoebox Films
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: MA15+ BR: 16 CH: 12 DK: A ES: 12 FI: K-16 FR: U GB: 15 GR: Κ-12 IE: 15 KR: 15 PL: 16 RU: 18+ SE: 15 US: R
Runtime: 85
Ivan Locke has worked hard to craft a good life for himself. Tonight, that life will collapse around him. On the eve of the biggest challenge of his career, Ivan receives a phone call that sets in motion a series of events that will unravel his family, job, and soul.
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ADR & Dubbing:
Steve Single
Camera Operator:
Simon Baker
Casting:
Shaheen Baig
Co-Producer:
Andrew Warren
Costume Design:
Nigel Egerton
Dialogue Editor:
Steve Single
Director:
Steven Knight
Director of Photography:
Haris Zambarloukos
Editor:
Justine Wright
Executive Producer:
Steven Squillante
Joe Wright
Stuart Ford
David Jourdan
First Assistant Camera:
Ashley Bond
Shaun Cobley
First Assistant Director:
Martin Harrison
First Assistant Editor:
Andrew Jadavji
Foley:
Simon Trundle
Gaffer:
Julian White
Hair Designer:
Audrey Doyle
Key Grip:
Malcolm Huse
Location Manager:
Ben Piltz
Makeup Designer:
Audrey Doyle
Music Editor:
Simon Changer
Music Supervisor:
Nick Angel
Original Music Composer:
Dickon Hinchliffe
Producer:
Guy Heeley
Paul Webster
Production Coordinator:
Stephanie Bamberg
Property Master:
Christopher Chandler
Script Supervisor:
Julia Chiavetta
Sound Designer:
Ian Wilson
Sound Re-Recording Mixer:
Steve Single
Sound Recordist:
Alan MacFeely
Still Photographer:
Kerry Brown
Visual Effects Supervisor:
James Devlin
Writer:
Steven Knight
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.