A work in constant progress (and occasional regress).
Release Date:
August 1, 1982
Original Title:
Liquid Sky
Alternate Titles:
Cielo líquido
Valuva taivas
Ygros ouranos
リキッド・スカイ
Genres:
Comedy | Science Fiction
Production Companies:
Z Films Inc.
Production Countries:
United States of America
Ratings / Certifications:
US: R
Runtime: 112
An alien creature invades New York's punk subculture in its search for an opiate released by the brain during an orgasm.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Casting:
Nina V. Kerova
Assistant Camera:
Oleg Chichilnitsky
Feliks Parnell
Assistant Makeup Artist:
Chris Evans
Associate Producer:
Nina V. Kerova
Best Boy Grip:
R. Gordon Burrows
Boom Operator:
Lin Keller
Casting:
Bob Brady
Casting Assistant:
Sarah O'Brien
Trace Rosell
Controller:
William Rowe
Costume Design:
Marina Levikova
Director:
Slava Tsukerman
Director of Photography:
Yuri Neyman
Editor:
Sharyn L. Ross
Slava Tsukerman
Electrician:
Miles Prunier
Executive Producer:
Robert Field
Fight Choreographer:
Saul Dinnerstein
First Assistant Camera:
Jeffrey Victor
Foley Artist:
Paul Michael
Gaffer:
Joseph Bolesta
Hairstylist:
Marcel Fiévé
Key Grip:
John Tintori
Makeup Artist:
Lenna Rashkovsky-Kaleva
Marcel Fiévé
Original Music Composer:
Slava Tsukerman
Clive Smith
Brenda I. Hutchinson
Producer:
Slava Tsukerman
Production Design:
Marina Levikova
Production Executive:
Mark Slater
Property Master:
Joan Leigh
Screenplay:
Anne Carlisle
Slava Tsukerman
Nina V. Kerova
Script Supervisor:
Martha Mitchell
Seamstress:
Natalia Kopelyan
Sound Editor:
Frank Kern
John Auerbach
Sound Re-Recording Mixer:
Jack Cooley
Sound Recordist:
Ed Novick
Phoebe Bindiger
Special Effects:
Yuri Neyman
Oleg Chichilnitsky
Stunts:
Jeff Most
Melissa Dedman
Wardrobe Supervisor:
Joan Leigh
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.