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Viva Las Vegas (1964) [NR]

Release Date:
February 8, 1964

Original Title:
Viva Las Vegas

Alternate Titles:
Amor a Toda Velocidade
Elvis Presley - Viva Las Vegas
Love in Las Vegas
Meet In Las Vegas
Only Girl in Town
Да здравствует Лас-Вегас

Genres:
Comedy | Music | Romance

Production Companies:
Jack Cummings Productions
Metro-Goldwyn-Mayer
Winters Hollywood Entertainment Holdings Corporation

Production Countries:
United States of America

Ratings / Certifications:
AT: 12  AU: G  BR: L  DE: 12  JP: G  KR: 12  US: NR 

Runtime: 85

Elvis is at the wheel but Ann-Margret drives him wild!

Overview from TheMovieDB

Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine. He gets the cash easily enough but mislays it when the pretty swimming pool manageress takes his mind off things. It seems he will lose both race and girl, problems made more difficult by rivalry from Elmo Mancini, fellow racer and womaniser.

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Production

Art Direction:
George W. Davis
Edward C. Carfagno

Assistant Director:
Milton Feldman

Choreographer:
David Winters

Director:
George Sidney

Director of Photography:
Joseph F. Biroc

Editor:
John McSweeney Jr.

Hairstylist:
Sydney Guilaroff

Makeup Artist:
John Truwe

Makeup Supervisor:
William Tuttle

Original Music Composer:
George Stoll

Producer:
George Sidney
Jack Cummings

Recording Supervision:
Franklin Milton

Screenplay:
Sally Benson

Set Decoration:
George R. Nelson
Henry Grace

Stunts:
Paul Baxley
Harvey Parry
Carey Loftin
Don Pike
Max Balchowsky
Lee Faulkner
Dale Van Sickel

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.