A work in constant progress (and occasional regress).
Release Date:
September 18, 2013
Original Title:
Enough Said
Alternate Titles:
Una Segunda Oportunidad
อยากรัก...ก็รักเลย
Genres:
Comedy | Drama | Romance
Production Companies:
Big Screen Productions
Fox Searchlight Pictures
Ingenious Media
Likely Story
TSG Entertainment
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: M BR: 12 DE: 6 DK: 15 ES: 7 FR: 12 GB: 12A GR: Κ HU: 18 IE: 12A JP: G NL: 14 PL: 16 RO: 12 SE: 15 US: PG-13
Runtime: 93
Eva is a divorced soon-to-be empty-nester wondering about her next act. Then she meets Marianne, the embodiment of her perfect self. Armed with a restored outlook on being middle-aged and single, Eva decides to take a chance on her new love interest Albert — a sweet, funny and like-minded man. But things get complicated when Eva discovers that Albert is in fact the dreaded ex–husband of Marianne...
"B" Camera Operator:
Michael Alba
ADR Voice Casting:
Holly Dorff
Additional Camera:
Chris Lombardi
Additional Editor:
Nick Moore
Art Department Assistant:
Suzanne Joffe
Art Department Coordinator:
Nancy A. King
Art Direction:
Luke Freeborn
Assistant Costume Designer:
Courtney Stern
Assistant Location Manager:
Jacob M. Torres
Assistant Property Master:
Allison Gross
Best Boy Electric:
Nick Pomerleau
Best Boy Grip:
Joseph B. Hernandez
Boom Operator:
Randall L. Johnson
Casting:
Jeanne McCarthy
Casting Associate:
Leslie Woo
Conductor:
Adam Klemens
Construction Coordinator:
Dave DeGaetano
Costume Design:
Leah Katznelson
Costume Supervisor:
Carolyn Lancet
Dialogue Editor:
Cheryl Nardi
Marshall Winn
Brad Semenoff
Digital Imaging Technician:
Carmen Del Toro
Digital Intermediate Colorist:
Ian Vertovec
Digital Intermediate Producer:
Katie Fellion
Derek Eby
Director:
Nicole Holofcener
Director of Photography:
Xavier Grobet
Dolly Grip:
Chuck Brown
Editor:
Robert Frazen
Electrician:
Brandon Wilson
John W. Kristopik
Michael Witczak
Graham Bremner
Kurt Pomerleau
Executive Producer:
Chrisann Verges
Extras Casting:
Dixie Webster-Davis
First Assistant "A" Camera:
Michael D. Alvarez
First Assistant "B" Camera:
Louie DeMarco
First Assistant Accountant:
Sean Carville
First Assistant Director:
Jesse Nye
First Assistant Editor:
Larry McGinley
Ray Neapolitan
Scot Scalise
Foley:
Andy Malcolm
Gaffer:
Max Pomerleau
Graphic Designer:
Amanda Hunter
Hair Department Head:
Daniel Howell
Key Grip:
Paul Goodstein
Key Hair Stylist:
Gloria Conrad
Key Makeup Artist:
Bret Boreman
Leadman:
Paul Ford
Location Manager:
Boyd Wilson
Makeup Department Head:
Karen Kawahara
Music Coordinator:
Mark Baechle
Music Editor:
Michael K. Bauer
Music Supervisor:
Liza Richardson
Orchestrator:
Sonny Kompanek
Mark Baechle
Original Music Composer:
Marcelo Zarvos
Payroll Accountant:
Jed Strahm
Producer:
Stefanie Azpiazu
Anthony Bregman
Production Accountant:
Shaun M. McGovern
Production Coordinator:
Dave Fraunces
Production Design:
Keith P. Cunningham
Production Secretary:
Nicholas Dunlevy
Property Master:
Todd Ellis
Script Supervisor:
Rebecca Robertson
Second Assistant "A" Camera:
Annika Iltis
Second Assistant "B" Camera:
Todd Avery
Second Assistant Director:
Kyle LeMire
Second Second Assistant Director:
Steve Lonano
Set Costumer:
Anna Andolsek
Jessie Delmore
Set Decoration:
Douglas A. Mowat
Set Dresser:
Joe Spaan
Chris Withrow
Joseph R. Pinkos
Ryan Bear
Johnny Lieberman
Michael Bogert
Sound Designer:
Pete Horner
Sound Mixer:
Lisa Pinero
Sound Re-Recording Mixer:
Lora Hirschberg
Pete Horner
Steadicam Operator:
Michael Alba
Still Photographer:
Lacey Terrell
Supervising Sound Editor:
Lora Hirschberg
Title Designer:
Alan Munro
Transportation Captain:
Brett Round
Transportation Co-Captain:
Steve Humphrey
Transportation Coordinator:
Tommy Tancharoen
Unit Production Manager:
Chrisann Verges
Mads Hansen
Unit Publicist:
Heidi Falconer
Writer:
Nicole Holofcener
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.