A work in constant progress (and occasional regress).
Release Date:
January 1, 1988
Original Title:
El aullido del diablo
Genres:
Horror
Production Companies:
Freemont-Nasch International
Production Countries:
Spain
Ratings / Certifications:
N/A
Runtime: 97
Hector Doriani (Paul Naschy) is a stage and screen actor who feels himself living in the shadow of his dead twin brother, Alex Doriani, once a famous star of horror movies. Alex’s young son, Adrian, now lives with Hector in an isolated mansion in the countryside. To keep alive the memory of his father, the boy imagines himself visited by the spirit of the dead man, incarnated in a series of classic horror characters from the past. Eric, Alex’s former butler, now also works for Hector. His main role is to locate and bring to the mansion a series of women who are paid large sums of money by Hector to take part in various sadistic sex games. To complicate matters even further, the games always seem to end with the women getting slaughtered in various gruesome ways by a black gloved, masked killer. Also on hand is horror diva Caroline Munro, as Hector’s housekeeper and cook, who is being pursued by a local priest with whom she once had a much-regretted affair.
Art Direction:
Tony Pueo
Assistant Camera:
Juan Antonio Cobo
Assistant Editor:
Enrique Serrano
Carlos Rojo
Assistant Production Manager:
Emilio A. Pina
Cinematography:
Julio Burgos
Director:
Paul Naschy
Editor:
José Antonio Rojo
Makeup Artist:
Fernando Florido
Original Music Composer:
Fernando García Morcillo
Producer:
Augusto Boué
Paul Naschy
Germán Monzó
Production Secretary:
Federico Canudas
Screenplay:
Paul Naschy
Salvador Sáinz
Special Effects:
Francisco García San José
Still Photographer:
Emilio Ruiz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.