A work in constant progress (and occasional regress).
Release Date:
May 26, 1972
Original Title:
...a pozdravuji vlaštovky
Alternate Titles:
...und ich grüße die Schwalben
Genres:
Drama
Production Companies:
Filmové studio Barrandov
Production Countries:
Czechoslovakia
Ratings / Certifications:
N/A
Runtime: 86
This film, chronicling the last days of Czech resistance fighter Maruska Kuderikova (played by Magda Vasaryova), is based on her diaries. Though she was tortured and eventually executed by the Nazis, her diaries indicate that she was optimistic for the humanity of her captors and did not by any means hate them. Told with simple dignity, this film makes clear why Maruska became a national hero.
Assistant Director:
Miroslav Voštiar
Assistant Editor:
Milada Malínská
Assistant Production Design:
Václav Hlávka
Assistant Production Manager:
Jaroslava Pražská
Book:
Marie Kudeříková
Camera Operator:
Oldřich Hubáček
Clapper Loader:
Jindřiška Novotná
Conductor:
Milivoj Uzelac
Costume Design:
Svatava Sophová
Costumer:
Vlastimil Hasala
Věra Kubíková
Creative Producer:
Zdeněk Dufek
Director:
Jaromil Jireš
Director of Photography:
Jan Čuřík
Dramaturgy:
Dana Špirková
Editor:
Josef Valušiak
Executive Producer:
Jiří Šebor
First Assistant Director:
Claudi Niubò
Makeup & Hair:
František Čížek
Václav Volk
Vlasta Hájková
Original Music Composer:
Luboš Fišer
Production Design:
Jan Oliva
Production Manager:
Věra Kadlecová
Screenplay:
Jaromil Jireš
Zora Beráková
Script:
Anna Lackovičová
Set Decoration:
Jiří Cvrček
Bohumil Kadlec
Sound:
Emil Poledník
Still Photographer:
Jan Kuděla
Story:
Jaromil Jireš
Unit Production Manager:
Václav Havlík
Olga Mimrová
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.