A work in constant progress (and occasional regress).
Featuring:
Jacques Perrin, Lea Padovani, Ilaria Occhini
Written by:
Vittorio De Seta
Fabio Carpi
Vera Gherarducci
Directed by:
Vittorio De Seta
Release Date:
September 22, 1966
Original Title:
Un uomo a metà
Alternate Titles:
Half a Man
Un hombre dividido
Un homme à moitié
Genres:
Drama
Production Companies:
Ditta De Seta Vittorio
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 93
A young writer descends into madness. Alienated, neurotic, and plagued by guilt, Michele retreats from reality, loses interest in work, and comes to the brink of suicide before being sent to an asylum for shock therapy. Escaping from the asylum, Michele returns to his boyhood home, where he learns the reasons for his present mental state.
Michele, a young intellectual, enters an existential crisis when, without realizing it, his conception of life comes into conflict with collective morality. The result is a serious neurosis that detaches him from life, from work, from the neighbor. Hospitalized in the clinic, succeeds, recalling the past, to put together the scattered fragments of his personality. However, even the memory of the oppressive mother, the sense of inferiority towards the brother, and the youthful love for the sweet Elena seem to be able to fill the void on which he fell.
Assistant Editor:
Mariella Ercoli
Camera Operator:
Luciano Tovoli
Conductor:
Bruno Nicolai
Director:
Vittorio De Seta
Director of Photography:
Dario Di Palma
Editor:
Fernanda Papa
First Assistant Director:
Davide Montemurri
Line Producer:
Carlo Alberto Cortina
Makeup Artist:
Vittorio Biseo
Original Music Composer:
Ennio Morricone
Producer:
Vittorio De Seta
Production Design:
Vera Gherarducci
Screenplay:
Vittorio De Seta
Fabio Carpi
Vera Gherarducci
Story:
Vittorio De Seta
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Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.