A work in constant progress (and occasional regress).
Release Date:
December 20, 1984
Original Title:
Noi tre
Alternate Titles:
Une saison italienne
モーツァルト 青春の日々
Genres:
Comedy | History
Production Companies:
Duea Film
Istituto Luce Cinecittà
RAI
Production Countries:
Italy
Ratings / Certifications:
N/A
Runtime: 84
1770. Young Wolfgang Amadeus Mozart is hosted in a villa near Bologna, where he has to graduate. There he gets in touch with “normal” boys, falls in love for the first time and tries to escape his destiny of young genius.
Administration:
Franco Penna
Assistant Camera:
Roberto Cimatti
Assistant Editor:
Piera Gabutti
Raffaella Zita
Assistant Makeup Artist:
Francesca Lodoli
Best Boy Electric:
Claudio Esposito
Best Boy Grip:
Antonio Campa
Boom Operator:
Gian Filippo Corticelli
Camera Operator:
Antonio Schiavo Lena
Colorist:
Giacomo Volpi
Costume Design:
Alberto Spiazzi
Director:
Pupi Avati
Director of Photography:
Pasquale Rachini
Editor:
Amedeo Salfa
First Assistant Director:
Cesare Bastelli
Foley Artist:
Massimo Anzellotti
Luciano Anzellotti
Gaffer:
Francesco Rachini
Generator Operator:
Giorgio De Marchis
Hairstylist:
Nerea Rosmanit
Key Grip:
Aldo Ricci
Line Producer:
Francesco Guerrieri
Paolo Bacchi
Makeup Artist:
Alfonso Cioffi
Original Music Composer:
Riz Ortolani
Producer:
Antonio Avati
Production Design:
Leonardo Scarpa
Giancarlo Basili
Production Secretary:
Angela Taffani
Screenplay:
Pupi Avati
Antonio Avati
Cesare Bornazzini
Script Supervisor:
Cesare Bornazzini
Seamstress:
Adriana Mattiozzi
Second Assistant Director:
Piero Maria Benfatti
Pasquale Pozzessere
Sound:
Raffaele De Luca
Sound Mix Technician:
Fausto Ancillai
Still Photographer:
Steno Tonelli
Story:
Antonio Avati
Pupi Avati
Unit Manager:
Giorgio Diritti
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Additional data for Film Titles come from The Open Movie Database (OMDb).
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.