A work in constant progress (and occasional regress).
Release Date:
May 25, 1988
Original Title:
The Tale of Ruby Rose
Genres:
Drama | Horror | Thriller
Production Companies:
FGH
Film Victoria
Hemdale
Seon Film Productions
Production Countries:
Australia
Ratings / Certifications:
US: PG
Runtime: 100
The year is 1933. Ruby Rose (Melita Jurisic) is an Australian woman living with her Welsh immigrant husband Henry (Chris Haywood) in the Tasmanian highlands. Cut off from her superjudgmental family, for whom Henry had once worked as a humble farm hand, Ruby remains isolated in her tiny house. Superstitiously terrified of the dark, she begins developing her own folklore about the inky blackness that surrounds her each night; this folklore eventually develops into Ruby's own personal religion, created to ward off the evils that she imagines lurk in every corner. Only by venturing out of her house and rekindling her relationship with her embittered father is Ruby able to exorcise her fears. Almost hypnotic in its stark beauty, Tale of Ruby Rose is proof enough that writer/director Roger Scholes deserves to be far better known.
Associate Producer:
Ian Pringle
Casting:
Gregory Apps
Clapper Loader:
Adam Kropinski
Costume Design:
Helen Poynder
Director:
Roger Scholes
Director of Photography:
Steve Mason
Editor:
Roger Scholes
Executive Producer:
Basia Puszka
Antony I. Ginnane
First Assistant Director:
James Legge
Focus Puller:
John Platt
Makeup Artist:
Jane Burns
Music:
Paul Schutze
Producer:
Bryce Menzies
Andrew Wiseman
Production Design:
Bryce Perrin
Production Manager:
Christine Gallagher
Sound Effects Editor:
Roger Scholes
Paul Schutze
Sound Mixer:
Bruce Emery
Sound Recordist:
Robert 'Gotch' Cutcher
Steadicam Operator:
Harry Panagiotidis
Writer:
Roger Scholes
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.