A work in constant progress (and occasional regress).
Release Date:
April 22, 1953
Original Title:
Le Salaire de la peur
Alternate Titles:
A félelem bére
Atlyginimas už baimę
Cena strachu
Eksplosive krefter
El salari de la por
El salario del miedo
Frygtens pris
Fryktens lønn
Het Loon van de Angst
Il salario della paura
Kyôfu no hôshû
Le Salaire de la peur
Lohn der Angst
Mozd-e tars
Mzda strachu
Nadnica za strah
O Salário do Medo
Pelon palkka
The Wages of Fear
To merokamato tou tromou
Το μεροκάματο του τρόμου
Възнаграждение за страха
Надница за страх
Плата за страх
九死一生
恐怖の報酬
恐怖的报酬
恐惧的酬劳
공포의 보수
Genres:
Adventure | Drama | Thriller
Production Companies:
Compagnie Industrielle et Commerciale Cinématographique
Filmsonor
Fono Roma
Véra Films
Production Countries:
France | Italy
Ratings / Certifications:
AU: PG CA: 14A DE: 16 ES: 18 FR: TP GB: 12A|PG HU: 12 KR: 12 NL: 16 PL: 12 US: PG-13
Runtime: 153
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
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Art Direction:
René Renoux
Assistant Director:
Michel Romanoff
Roberto Savarese
Assistant Set Decoration:
Marc Desages
Camera Operator:
Robert Juillard
Jean Lallier
Louis Née
Director:
Henri-Georges Clouzot
Director of Photography:
Armand Thirard
Editor:
Madeleine Gug
Étiennette Muse
Henri Rust
Makeup Artist:
Georges Bouban
Music Director:
Georges Auric
Novel:
Georges Arnaud
Original Music Composer:
Georges Auric
Producer:
Raymond Borderie
Henri-Georges Clouzot
Production Manager:
Louis Wipf
Screenplay:
Henri-Georges Clouzot
Jérôme Géronimi
Set Decoration:
René Renoux
Sound Designer:
William Robert Sivel
Still Photographer:
Jérôme Géronimi
Lucienne Chevert
Unit Production Manager:
Henri Jaquillard
Lucien Lippens
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.