A work in constant progress (and occasional regress).
Release Date:
May 3, 2007
Original Title:
Noise
Alternate Titles:
Matthew Saville's Noise
Genres:
Crime | Drama | Thriller
Production Companies:
Australian Film Commission
Australian Film Finance Corporation
Film Victoria
Retro Active Films
SBS Independent
Spark Script Workshop
Production Countries:
Australia
Ratings / Certifications:
AU: MA15+
Runtime: 108
The community reels after an incident on a suburban train. A young cop, beset with doubt and afflicted with tinnitus, is pitched into the chaos that follows this tragic event. He struggles to clear the noises in his head while all around him deal with the after burn of the crime.
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Armorer:
John Fox
Art Department Coordinator:
Miriam Johnson
Art Direction:
Julie Nelson
Assistant Editor:
Marcus Herrick
Assistant Unit Manager:
Victor Fukushima
Casting:
Cameron Harris
Costume Design:
Kitty Stuckey
Costume Supervisor:
Fiona Rogan
Dialogue Editor:
Scott Findlay
Director:
Matthew Saville
Director of Photography:
László Baranyai
Editor:
Geoff Hitchins
Executive Producer:
Bryce Menzies
First Assistant Director:
Paul Walton
Key Hair Stylist:
José Pérez
Key Makeup Artist:
José Pérez
Line Producer:
Yvonne Collins
Location Manager:
Tim Scott
Original Music Composer:
Bryony Marks
Post Production Coordinator:
Pamela Hammond
Post Production Producer:
Rachel Knowles
Post Production Supervisor:
Maryjeanne Watt
Producer:
Trevor Blainey
Production Coordinator:
Helen Boicovitis
Production Design:
Paddy Reardon
Props:
Caroline Kelly
Scoring Mixer:
Rodney Lowe
Script Editor:
David Tiley
Script Supervisor:
Ted Green
Second Assistant Director:
Greg Spiller
Second Unit Director of Photography:
Katie Milwright
Set Decoration:
Hannah Knowlton
Sound Designer:
Emma Bortignon
Sound Mixer:
Keith Thomas
Doron Kipen
Emma Bortignon
Sound Recordist:
Philippe Decrausaz
Special Effects Supervisor:
Peter Stubbs
Steadicam Operator:
Harry Panagiotidis
Stunt Coordinator:
Zev Eleftheriou
Third Assistant Director:
Heath Kerr
Unit Manager:
Andy Pappas
Writer:
Matthew Saville
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.