A work in constant progress (and occasional regress).
Release Date:
June 2, 1952
Original Title:
The Importance of Being Earnest
Alternate Titles:
A Importância de Ser Honesto
Genres:
Comedy
Production Companies:
British Film-Makers
J. Arthur Rank Organisation
Javelin Films
Production Countries:
United Kingdom
Ratings / Certifications:
AT: 12 AU: G DE: 12 GB: U
Runtime: 95
Two young gentlemen living in 1890s England use the same pseudonym ('Ernest') on the sly, which is fine until they both fall in love with women using that name, which leads to a comedy of mistaken identities.
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Art Direction:
Carmen Dillon
Assistant Director:
Robert Asher
Camera Operator:
David Harcourt
Casting:
Weston Drury Jr.
Conductor:
Benjamin Frankel
Continuity:
Joan Davis
Costume Design:
Beatrice Dawson
Costume Supervisor:
Yvonne Caffin
Director:
Anthony Asquith
Director of Photography:
Desmond Dickinson
Draughtsman:
Ernest Archer
Peter Lamont
John Box
Editor:
John D. Guthridge
Executive Producer:
Earl St. John
Hairstylist:
Biddy Chrystal
Makeup Artist:
George Blackler
Original Music Composer:
Benjamin Frankel
Other:
Joan Bridge
Producer:
Teddy Baird
Production Controller:
Arthur Alcott
Production Manager:
Roy Goddard
Screenplay:
Anthony Asquith
Second Assistant Director:
David W. Orton
Set Dresser:
Arthur Taksen
Sound Editor:
Eric Wood
Sound Recordist:
John Dennis
Gordon K. McCallum
Still Photographer:
Harry Gillard
Theatre Play:
Oscar Wilde
Third Assistant Camera:
Bert Batt
Wardrobe Supervisor:
Dorothy Edwards
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.