A work in constant progress (and occasional regress).
Release Date:
March 10, 2005
Original Title:
Hostage
Alternate Titles:
Bajo amenaza
Hostage - Reféns
Mdzevali
Ostatec
Panttivanki
Talac
Talec
硬汉也有迟暮时
终极人质
虎胆狙击
虎胆阻击
Genres:
Action | Crime | Thriller
Production Companies:
Cheyenne Enterprises
Equity Pictures Medienfonds GmbH & Co. KG II
Hostage GmbH
Miramax
Stratus Film Co.
Syndicate Films International
Yari Film Group
Production Countries:
Germany | United States of America
Ratings / Certifications:
AU: MA15+ BG: C BR: 16 CH: 16 DE: 16 DK: 15 FI: K-18 GB: 15 IE: 16 NL: 16 NO: 15 PT: M/18 RU: 16+ SE: 15 SK: 18 US: R
Runtime: 113
When a mafia accountant is taken hostage on his beat, a police officer – wracked by guilt from a prior stint as a negotiator – must negotiate the standoff, even as his own family is held captive by the mob.
ADR Engineer:
Derek Casari
ADR Mixer:
Howard London
ADR Supervisor:
Robert Ulrich
Additional Music:
Neil Cross
Aerial Coordinator:
Cliff Fleming
Aerial Director of Photography:
Phil Pastuhov
Armorer:
Michael Papac
Art Department Coordinator:
Jennifer R. Blair
Art Direction:
Keith P. Cunningham
Assistant Accountant:
Tom Dames
Assistant Camera:
Tommy Klines
Assistant Makeup Artist:
Zoltan Elek
Assistant Production Coordinator:
Stacy Foot
Assistant Property Master:
Nick Papac
Assistant Sound Editor:
Ron Vignone
Associate Editor:
Asim Matin
Associate Producer:
Stephen J. Eads
Best Boy Electric:
Lamarr Gray
Best Boy Grip:
Joe Macaluso
Boom Operator:
David A. Smith
Camera Loader:
Mark Gilmer
Camera Operator:
Patrick B. O'Brien
Camera Production Assistant:
Jozo Zovko
Carpenter:
Will Thayer
Casting:
Victoria Burrows
Scot Boland
Casting Assistant:
Amanda S. Burns
Co-Producer:
David Willis
Manfred D. Heid
Josef Steinberger
Gerd Koechlin
Susanne Bohnet
Color Timer:
Stephen R. Sheridan
Colorist:
Sean Lawrence
Conductor:
Alexandre Desplat
Construction Coordinator:
Steve A. Hagberg
Costume Design:
Elisabetta Beraldo
Costumer:
Roberta Bilé
Craft Service:
Mark Palmer
Creative Director:
Thierry Canon
Dialogue Editor:
David M. Cowan
Digital Compositors:
Laurent Brett
Digital Intermediate Assistant:
Mark Sahagun
Digital Intermediate Colorist:
Jill Bogdanowicz
Digital Intermediate Editor:
Ron Barr
Digital Intermediate Producer:
Julia Nessling-Douglas
Director:
Florent-Emilio Siri
Director of Photography:
Giovanni Fiore Coltellacci
Dolly Grip:
Michael Wahl
Driver:
Charles Conn
Editor:
Richard Byard
Olivier Gajan
Electrician:
Wayne Marshall
Executive In Charge Of Production:
Robert Katz
Executive Producer:
Josef Lautenschlager
David J. Wally
Andreas Thiesmeyer
Hawk Koch
First Assistant Accountant:
James Linville
First Assistant Camera:
Don Steinberg
First Assistant Director:
Mark Cotone
Foley Artist:
Vincent Guisetti
Foley Mixer:
Kyle Rochlin
Graphic Designer:
Karen Teneyck
Greensman:
Bryan McBrien
Grip:
Pete Asidilla
Hairstylist:
Annette M. Jones
Key Costumer:
Faye Sevilla
Key Grip:
Jack Chouchanian
Key Hair Stylist:
Kenneth Walker
Key Production Assistant:
Mollie Stallman
Key Rigging Grip:
Steele Hunter
Key Set Production Assistant:
Crisoforo Aguilar
Leadman:
Shane Reed
Location Manager:
R. Scott Poole
Location Scout:
Errol Reichow
Makeup Artist:
Katalin Elek
Music Editor:
Jim Schultz
Music Supervisor:
Richard Glasser
Novel:
Robert Crais
Original Music Composer:
Alexandre Desplat
Pilot:
Bruce Benson
Post Production Supervisor:
Bradley M. Goodman
Producer:
Mark Gordon
Arnold Rifkin
Bruce Willis
Bob Yari
Production Accountant:
Stevie Lazo
Production Assistant:
Danny Bress
Production Coordinator:
Matthew Hirsch
Production Design:
Larry Fulton
Production Executive:
Erin Eggers
Production Secretary:
Michael M. Piehler
Production Sound Mixer:
Peter J. Devlin
Production Supervisor:
Lynn Andrews
Property Master:
C.J. Maguire
Propmaker:
Hugh Hanna
Rigging Gaffer:
James F. Cornick
Score Engineer:
Stephen McLaughlin
Screenplay:
Doug Richardson
Script Supervisor:
Janna Stern
Second Assistant Accountant:
Jennifer Clark
Second Assistant Camera:
Steven Cueva
Second Assistant Director:
Dieter Busch
Second Second Assistant Director:
Mark Carter
Second Unit:
William H. Burton Jr.
Second Unit Director:
William H. Burton Sr.
Set Decoration:
Cindy Carr
Set Designer:
Kevin Cross
Set Dressing Artist:
Tim Fassino
Set Medic:
Jason Inman
Set Painter:
Craig T. Shordon
Sound Designer:
Stephen Hunter Flick
Sound Effects Editor:
Peter Brown
Special Effects Coordinator:
Larz Anderson
Stand In:
Lisa Gabriel
Standby Painter:
Bill 'Kauhane' Hoyt
Steadicam Operator:
Jacques Jouffret
Still Photographer:
Frank Masi
Studio Teachers:
Judith Jennings
Stunt Coordinator:
William H. Burton Sr.
William H. Burton Jr.
Stunt Double:
Dane Farwell
Danny Downey
Stunts:
Bobby Burns
Heather Burton
Joey Box
John C. Meier
Ben Hernandez Bray
Al Leong
Systems Administrators & Support:
Ariel Oclarino
Title Designer:
Laurent Brett
Transportation Captain:
Manny Demello
Transportation Coordinator:
James Thornsberry
Unit Production Manager:
Hawk Koch
Unit Publicist:
Eddie Michaels
Utility Stunts:
Cory Fleming
VFX Artist:
Wensen Ho
Visual Effects Coordinator:
Erin Hicke
Visual Effects Producer:
Baptiste Andrieux
Visual Effects Supervisor:
Feliciano di Giorgio
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
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