A work in constant progress (and occasional regress).
Release Date:
December 31, 2010
Original Title:
The A-Word
Genres:
Documentary
Production Companies:
USC School of Cinematic Arts
Production Countries:
United States of America
Ratings / Certifications:
N/A
Runtime: 27
In the fall of 2009, Lindsay Ellis, a 26-year old graduate student, went through the painful process of having an abortion. “The A-Word” follows Ellis as she opens up to her family and organizations from both sides of the debate, in search of healing. This is not a film about the protests and debates wrapped up in religious views and political agenda, but rather a personal journey about one woman’s struggle to shed the stigma attached to the A-word in hopes of starting a dialogue.
Additional Director of Photography:
Ritvik Mayank
Matthew Mouat
Robert Panico
Boom Operator:
Jesse Keller
Business Affairs Coordinator:
Reba Molock
Cinematography:
Josh Morton
Colorist:
Vince Gonzales
Director:
Lindsay Ellis
Director of Photography:
Hongsik Park
Editor:
Claudia Castello
Ritvik Mayank
Editorial Consultant:
Reine-Claire
Editorial Staff:
Kate Amend
Graphic Designer:
Erin Siegel
Kaveh Taherian
Music:
Samuel Jones
Musician:
Matthew S. Smith
Original Music Composer:
Alexis Marsh
Other:
Sean Blanche
Bret Cornish
Mark Jonathan Harris
Jean Tsai
Jonathan Zimmerman
Producer:
Clarinda Morales
Kaveh Taherian
Lisa Leeman
Set Photographer:
Lauren Anderson
Josh Weiss
Sound:
Tomlinson Holman
Sound Editor:
Jesse Keller
Josh Mendoza
Sound Mixer:
Jesse Keller
Thanks:
Lori Berg
Glenn Ellis
James Carroll Ellis
Sue Ellis
Kenneth Hall
Thomas Johnson
William King
Doc Mayer
Christopher McKay
Mario Morales
Monica Price
Writer:
Lindsay Ellis
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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