A work in constant progress (and occasional regress).
Release Date:
March 30, 2005
Original Title:
Va, vis et deviens
Alternate Titles:
Bir Şans Daha
Fyge kai zise
Go, See, and Become
Gå og bliv den du er
Gå, lev, bliv
Live & Become
Ser digno de ser
Tichye VeTihiye
Um Herói do Nosso Tempo
Va, vie, et deviens
Yakusoku no Tabiji
Żyj i stań się
След живота
Genres:
Drama
Production Companies:
CNC
Canal+
Cattleya
Centre du Cinéma et de l'Audiovisuel de la FWB
CinéCinéma
Elzévir Films
Fonds Eurimages du Conseil de l'Europe
France 3 Cinéma
K2 SA
Kiosque
MEDIA Programme of the European Union
Medusa Film
Oï Oï Oï Productions
SCOPE Invest
SCOPE Pictures
Tax Shelter du Gouvernement Fédéral Belge
Transfax Film Productions
Production Countries:
Belgium | France | Israel | Italy
Ratings / Certifications:
CA: 14A FR: 16 SE: 11 US: NR
Runtime: 140
In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Art Direction:
Yoel Herzberg
Assistant Editor:
Séverine Cava
Associate Producer:
Yoram Globus
Boom Operator:
Misha Spektor
Casting:
Hila Yuval
Esther Kling
Costume Design:
Rona Doron
Director:
Radu Mihăileanu
Director of Photography:
Rémy Chevrin
Editor:
Ludo Troch
Makeup Artist:
Valérie Tranier
Original Music Composer:
Armand Amar
Producer:
Itai Tamir
Denis Carot
Marek Rozenbaum
Radu Mihăileanu
Marie Masmonteil
Production Design:
Eitan Levi
Production Manager:
Yorick Kalbache
Property Master:
Frank Pitussi
Screenplay:
Alain-Michel Blanc
Radu Mihăileanu
Script Supervisor:
Olivia Bruynoghe
Sound:
Henri Morelle
Eric DeVos
Sound Re-Recording Mixer:
Bruno Tarrière
Mathieu Cox
Sound Recordist:
Quentin Collette
Philippe Charbonnel
Still Photographer:
Amit Berlowitz
Thanks:
Peter Sehr
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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