A work in constant progress (and occasional regress).
Featuring:
Mesquitinha, Yara Aguiar, Rachel Martins
Written by:
Alberto Cavalcanti
Galeão Coutinho
Oswaldo Molles
Directed by:
Alberto Cavalcanti
Release Date:
May 26, 1952
Original Title:
Simão, o Caolho
Alternate Titles:
Simão, o Caôlho
Genres:
Comedy
Production Companies:
Maristela
Production Countries:
Brazil
Ratings / Certifications:
N/A
Runtime: 101
A one-eyed businessman wants to become rich and retrieve his lost eye at any cost. He tries many schemes, and eventually regains his eye with a vengeance: the power of invisibility. He becomes multi millionaire in the meat market and after entering politics he is elected president of Brazil.
Director:
Alberto Cavalcanti
Director of Photography:
Francisco Fekete
Editor:
José Cañizares
Original Music Composer:
Souza Lima
Producer:
Alfredo Palácios
Sound:
Jacques Lesgards
Writer:
Oswaldo Molles
Miroel Silveira
Galeão Coutinho
Alberto Cavalcanti
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.