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The League of Gentlemen's Apocalypse (2005) [N/A]

Release Date:
June 3, 2005

Original Title:
The League of Gentlemen's Apocalypse

Alternate Titles:
Gospoda Apokalipse
Herrasmiesliigan kauhunhetket
Kıyamet Kasabası
Royston Vasey: The Motion Picture
The League of Gentlemen's Apocalypse
Лига джентльменов: Апокалипсис
Ліга джентельменів: Апокаліпсис
ザ・リーグ・オブ・ジェントルメンズ・アポカリプス

Genres:
Comedy | Horror

Production Companies:
Film4 Productions
Tiger Aspect
Universal Pictures

Production Countries:
Ireland | United Kingdom

Ratings / Certifications:
GB: 15 

Runtime: 87

To save their world... They're coming to ours...

Overview from TheMovieDB

The fictional world of Royston Vasey is facing apocalypse and the only way to avert disaster is for our nightmarish cast of characters to find a way into the real world and confront their creators. From present day Soho to the fictional film world of 17th Century Britain, the residents must overcome countless bizarre obstacles in their bid to return Royston Vasey to safety.

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Production

Co-Producer:
Rachel Salter

Costume Design:
Yves Barre

Director:
Steve Bendelack

Director of Photography:
Rob Kitzmann

Editor:
Tony Cranstoun

Executive Producer:
Jeremy Dyson
Peter Bennett-Jones
Andrew Lowe
Reece Shearsmith
Mark Gatiss
Steve Pemberton
Andrew Lowe

Line Producer:
Seamus Mcinerney

Original Music Composer:
Joby Talbot

Producer:
Greg Brenman
Ed Guiney

Production Design:
Richard Bridgland

Writer:
Reece Shearsmith
Steve Pemberton
Jeremy Dyson
Mark Gatiss

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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.