A work in constant progress (and occasional regress).
Release Date:
May 26, 1993
Original Title:
È pericoloso sporgersi
Alternate Titles:
Les dimanches de permission
Genres:
Comedy | Drama
Production Companies:
CNC
Compagnie des Images
Filmex Romania
Mainstream
Production Countries:
France | Romania
Ratings / Certifications:
N/A
Runtime: 104
It is late in the Ceausescu era in Romania, and Cristina is having a difficult time with her boyfriend. He wants her to have sex with him before he goes off to do his obligatory stint in the army. She wants him to marry her first. She also gets involved with a slightly rebellious actor, a would-be ladies' man. He has some vague plans to defect - could those be the reason he is receiving mysterious phone calls? Or are they the work of his anonymous admirer?
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Assistant Camera:
Mihai Mihăilescu
Ștefan Topana
Assistant Director:
Gabriel Bucur
Ion Diaconeasa
Erika Negrescu
George Savu
Assistant Editor:
Valentina Balan
Maria Roman
Assistant Production Design:
Gabriel Bucur
Ion Diaconeasa
George Savu
Assistant Set Designer:
Tudor Giurgiu
Camera Operator:
Nora Irimescu
Lucia Suru
Color Timer:
Gina Stoica
Costume Design:
Maria Peici
Costumer:
Ioana Udrea
Director:
Nae Caranfil
Director of Photography:
Cristian Comeaga
Editor:
Victorița Nae
Electrician:
Constantin Oprea
Tănase Ion
Costica Vasiliu
Executive Producer:
Titi Popescu
Gaffer:
Mihai Ionita
Graphic Designer:
Mihaela Vasilescu
Grip:
Nicolae Trandafir
Makeup Artist:
Mihai Mihăilescu
Original Music Composer:
Anton Șuteu
Nae Caranfil
Post-Production Manager:
Chantal Guyot
Producer:
Jean-Martial Lefranc
Production Assistant:
Mihai Lazar
Ion Necula
Production Design:
Gloria Papura
Production Manager:
Mihai Stavila
Production Secretary:
Mihaela Gaita
Second Unit Director:
Mihnea Columbeanu
Sound:
Anusavan Salamanian
Sound Assistant:
Vasile Luca
Still Photographer:
Ion Costache
Wardrobe Designer:
Tora Dragomir
Bianca Ghita
Writer:
Nae Caranfil
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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