A work in constant progress (and occasional regress).
Release Date:
June 5, 1998
Original Title:
A Perfect Murder
Alternate Titles:
A Perfect Murder
A perfect murder - et perfekt mord
Delitto perfetto (Douglas)
Det perfekte mord
Morderstwo Doskonałe
Perfect Murder, A
Popoln umor
Savršeno ubistvo
Savršeno ubojstvo
Täiuslik mõrv
Täydellinen murha
Um Homicídio Perfeito
Un crimen perfecto
Досконале вбивство
Перфектно убийство
Genres:
Crime | Drama | Thriller
Production Companies:
Kopelson Entertainment
Warner Bros. Pictures
Production Countries:
United States of America
Ratings / Certifications:
AU: M BE: 16 BR: 16 CA: 14A CH: 12 CZ: 12+ DE: 12 DK: 15 FI: K-18 GB: 15 HU: 12 IE: 15 NL: 16 NO: 18 PT: M/14 SE: 15 US: R
Runtime: 107
Millionaire industrialist Steven Taylor is a man who has everything but what he craves most: the love and fidelity of his wife. A hugely successful player in the New York financial world, he considers her to be his most treasured acquisition. But she needs more than simply the role of dazzling accessory.
ADR Mixer:
Scott Jones
Armorer:
Charles Bodycomb
Art Department Coordinator:
Jennifer B. Starke
Art Direction:
Patricia Woodbridge
Assistant Art Director:
Laura Brock
Assistant Camera:
Jefferson T. Jones
Assistant Chief Lighting Technician:
John G. Velez
Assistant Costume Designer:
Laura Drawbaugh
John Glaser
Assistant Editor:
Guy Barresi
Assistant Location Manager:
Paul Kramer
Assistant Property Master:
Diana Burton
Assistant Sound Editor:
Paul Aulicino
Associate Producer:
Lowell D. Blank
Lisa Reardon
Teresa Tucker-Davies
Best Boy Grip:
Keith Bunting
Boom Operator:
Daniel Rosenblum
Carpenter:
Tony Marks
Casting:
Amanda Mackey
Cathy Sandrich Gelfond
Casting Associate:
Mercedes Kelso
Elizabeth Lang
Chief Lighting Technician:
Morris Flam
Co-Producer:
Mitchell E. Dauterive
Nana Greenwald
Color Timer:
Bob Putynkowski
Conductor:
Artie Kane
Construction Coordinator:
George Hugel
Costume Design:
Ellen Mirojnick
Costume Supervisor:
Deirdre N. Williams
Craft Service:
Chris T. Margiano
Dialect Coach:
Howard Samuelsohn
Dialogue Editor:
Virginia Cook-McGowan
Director:
Andrew Davis
Director of Photography:
Dariusz Wolski
Dolly Grip:
James Pollard
Driver:
Edward Devereaux II
Editor:
Dennis Virkler
Dov Hoenig
Electrician:
William MacGhee
Executive Assistant:
Maria Norman
Executive In Charge Of Production:
Christopher DeFaria
Executive Producer:
Stephen Joel Brown
First Assistant Camera:
Zoran Veselić
First Assistant Director:
Henry J. Bronchtein
First Assistant Editor:
Uri Katoni
Mark S. Westmore
Nina Lucia
Focus Puller:
Ashley Bond
Foley Artist:
Hilda Hodges
Foley Editor:
Scott Curtis
Foley Mixer:
Mary Jo Lang
Grip:
Mike House
Hair Designer:
Alan D'Angerio
Key Grip:
Billy Patsos
Key Hair Stylist:
Milton Buras
Leadman:
Timothy Metzger
Loader:
Zsolt Kadar
Location Assistant:
David Ray Martin
Location Manager:
Michael Stricks
Makeup Artist:
Caryn Brostoff
Music Editor:
David Olson
Negative Cutter:
Mo Henry
Orchestrator:
Jeff Atmajian
Original Music Composer:
James Newton Howard
Payroll Accountant:
Joseph Lombardi
Producer:
Anne Kopelson
Peter Macgregor-Scott
Arnold Kopelson
Christopher Mankiewicz
Production Accountant:
Gail Barringer
Production Controller:
Robert C. Campion
Production Design:
Philip Rosenberg
Production Executive:
Matthew Gross
Production Illustrator:
Brick Mason
Production Intern:
Arthur K. Flam
Production Secretary:
Holly Watson
Production Sound Mixer:
Tom Nelson
Property Master:
Martin Lasowitz
Scenic Artist:
Joseph Garzero
Screenplay:
Patrick Smith Kelly
Frederick Knott
Script Supervisor:
Dru Anne Carlson
Second Assistant Camera:
James R. Belletier
Second Assistant Director:
Amy Lauritsen
Second Second Assistant Director:
Jennifer Truelove
Set Decoration:
Debra Schutt
Set Designer:
David Blankenship
Set Dressing Artist:
Eric M. Metzger
Set Medic:
Heathar Wynne
Sound Designer:
Lance Brown
Sound Editor:
Gary Blufer
Sound Re-Recording Mixer:
Jeffrey J. Haboush
Kevin E. Carpenter
Robert Schaper
Special Effects Coordinator:
Jeff Brink
Special Effects Technician:
Manex Efrem
Steadicam Operator:
Stephen St. John
Still Photographer:
Andrew D. Schwartz
Stunt Coordinator:
Michael Runyard
Stunt Double:
Dana Hee
Stunts:
John Cenatiempo
Supervising ADR Editor:
Joseph A. Mayer
Supervising Music Editor:
Jim Weidman
Supervising Sound Editor:
Bruce Stambler
Theatre Play:
Frederick Knott
Title Designer:
Jay Johnson
Transportation Captain:
Kevin Flynn
Transportation Coordinator:
Kevin Keefe
Unit Production Manager:
Jan Foster
Unit Publicist:
Michael Singer
Video Assist Operator:
Kevin McKenna
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.