A Perfect Murder (1998) [R]

Release Date:
June 5, 1998

Original Title:
A Perfect Murder

Alternate Titles:
A Perfect Murder
A perfect murder - et perfekt mord
Delitto perfetto (Douglas)
Det perfekte mord
Morderstwo Doskonałe
Perfect Murder, A
Popoln umor
Savršeno ubistvo
Savršeno ubojstvo
Täiuslik mõrv
Täydellinen murha
Um Homicídio Perfeito
Un crimen perfecto
Досконале вбивство
Перфектно убийство

Genres:
Crime | Drama | Thriller

Production Companies:
Kopelson Entertainment
Warner Bros. Pictures

Production Countries:
United States of America

Ratings / Certifications:
AU: M  BE: 16  BR: 16  CA: 14A  CH: 12  CZ: 12+  DE: 12  DK: 15  FI: K-18  GB: 15  HU: 12  IE: 15  NL: 16  NO: 18  PT: M/14  SE: 15  US: R 

Runtime: 107

A powerful husband. An unfaithful wife. A jealous lover. All of them have a motive. Each of them has a plan.

Millionaire industrialist Steven Taylor is a man who has everything but what he craves most: the love and fidelity of his wife. A hugely successful player in the New York financial world, he considers her to be his most treasured acquisition. But she needs more than simply the role of dazzling accessory.

Additional information:

The Search Form


Video

Click each video panel to show or hide.

Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.

ADR Mixer:
Scott Jones

Armorer:
Charles Bodycomb

Art Department Coordinator:
Jennifer B. Starke

Art Direction:
Patricia Woodbridge

Assistant Art Director:
Laura Brock

Assistant Camera:
Jefferson T. Jones

Assistant Chief Lighting Technician:
John G. Velez

Assistant Costume Designer:
Laura Drawbaugh
John Glaser

Assistant Editor:
Guy Barresi

Assistant Location Manager:
Paul Kramer

Assistant Property Master:
Diana Burton

Assistant Sound Editor:
Paul Aulicino

Associate Producer:
Lowell D. Blank
Lisa Reardon
Teresa Tucker-Davies

Best Boy Grip:
Keith Bunting

Boom Operator:
Daniel Rosenblum

Carpenter:
Tony Marks

Casting:
Amanda Mackey
Cathy Sandrich Gelfond

Casting Associate:
Mercedes Kelso
Elizabeth Lang

Chief Lighting Technician:
Morris Flam

Co-Producer:
Mitchell E. Dauterive
Nana Greenwald

Color Timer:
Bob Putynkowski

Conductor:
Artie Kane

Construction Coordinator:
George Hugel

Costume Design:
Ellen Mirojnick

Costume Supervisor:
Deirdre N. Williams

Craft Service:
Chris T. Margiano

Dialect Coach:
Howard Samuelsohn

Dialogue Editor:
Virginia Cook-McGowan

Director:
Andrew Davis

Director of Photography:
Dariusz Wolski

Dolly Grip:
James Pollard

Driver:
Edward Devereaux II

Editor:
Dennis Virkler
Dov Hoenig

Electrician:
William MacGhee

Executive Assistant:
Maria Norman

Executive In Charge Of Production:
Christopher DeFaria

Executive Producer:
Stephen Joel Brown

First Assistant Camera:
Zoran Veselić

First Assistant Director:
Henry J. Bronchtein

First Assistant Editor:
Uri Katoni
Mark S. Westmore
Nina Lucia

Focus Puller:
Ashley Bond

Foley Artist:
Hilda Hodges

Foley Editor:
Scott Curtis

Foley Mixer:
Mary Jo Lang

Grip:
Mike House

Hair Designer:
Alan D'Angerio

Key Grip:
Billy Patsos

Key Hair Stylist:
Milton Buras

Leadman:
Timothy Metzger

Loader:
Zsolt Kadar

Location Assistant:
David Ray Martin

Location Manager:
Michael Stricks

Makeup Artist:
Caryn Brostoff

Music Editor:
David Olson

Negative Cutter:
Mo Henry

Orchestrator:
Jeff Atmajian

Original Music Composer:
James Newton Howard

Payroll Accountant:
Joseph Lombardi

Producer:
Anne Kopelson
Peter Macgregor-Scott
Arnold Kopelson
Christopher Mankiewicz

Production Accountant:
Gail Barringer

Production Controller:
Robert C. Campion

Production Design:
Philip Rosenberg

Production Executive:
Matthew Gross

Production Illustrator:
Brick Mason

Production Intern:
Arthur K. Flam

Production Secretary:
Holly Watson

Production Sound Mixer:
Tom Nelson

Property Master:
Martin Lasowitz

Scenic Artist:
Joseph Garzero

Screenplay:
Patrick Smith Kelly
Frederick Knott

Script Supervisor:
Dru Anne Carlson

Second Assistant Camera:
James R. Belletier

Second Assistant Director:
Amy Lauritsen

Second Second Assistant Director:
Jennifer Truelove

Set Decoration:
Debra Schutt

Set Designer:
David Blankenship

Set Dressing Artist:
Eric M. Metzger

Set Medic:
Heathar Wynne

Sound Designer:
Lance Brown

Sound Editor:
Gary Blufer

Sound Re-Recording Mixer:
Jeffrey J. Haboush
Kevin E. Carpenter
Robert Schaper

Special Effects Coordinator:
Jeff Brink

Special Effects Technician:
Manex Efrem

Steadicam Operator:
Stephen St. John

Still Photographer:
Andrew D. Schwartz

Stunt Coordinator:
Michael Runyard

Stunt Double:
Dana Hee

Stunts:
John Cenatiempo

Supervising ADR Editor:
Joseph A. Mayer

Supervising Music Editor:
Jim Weidman

Supervising Sound Editor:
Bruce Stambler

Theatre Play:
Frederick Knott

Title Designer:
Jay Johnson

Transportation Captain:
Kevin Flynn

Transportation Coordinator:
Kevin Keefe

Unit Production Manager:
Jan Foster

Unit Publicist:
Michael Singer

Video Assist Operator:
Kevin McKenna

About the Movie Section

Most data and links to images for the Movies section come from TheMovieDB (TMDB).

Additional data for Film Titles come from The Open Movie Database (OMDb).

At least one plug-in comes from IMDb.

Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

  • I added "runners up" to Top 10 lists, treating them as ties where applicable and numbering them accordingly at the bottom of each list.
  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

Regarding profile removals and data corrections:

  • If you would like your profile removed from this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's gone from their site, it should soon be gone from this site.
  • If you would like to correct movie data on this site, please contact the source of this data directly, TheMovieDB. My assumption is: once it's corrected on their site, it should soon be corrected on this site.
  • For additional corrections and profile removals, please e-mail The Open Movie Database (OMDb).

Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.

Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.