A work in constant progress (and occasional regress).
Original Title:
Asmahan
Ratings / Certifications:
N/A
Runtime: 22
Asmahan is a film poem about the famous Syrian singer of the same name. The film is made up of four parts: love, death, love, and death. Each part follows one of the two songs Asmahan sings in the film which are used as a structural motif throughout. Like her musical notations, every shot is connected to every other shot. Nearly every shot contains Asmahan (she is the only actor in the film who appears to be talking), which is meant to create an obsessive relationship with the image reminding us of the interplay of voyeurism and exhibitionism that makes the actor that we see on the screen dream like, especially when she also sees us. This dream logic suggests that there is a hidden life, which exists through pictures, lurking in even the most superficial and trite of B-films. It is this fragment-like wholeness that is in a sense the structure of the film. As in a dream, Asmahan's actions are accentuated through a number of strategies.
Cinematography:
Sami Breal
Hisham Bizri
Director:
Hisham Bizri
Editor:
Hisham Bizri
Salah Abu Seif
Producer:
Yusof Wabhi
Hisham Bizri
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.