A work in constant progress (and occasional regress).
Release Date:
September 12, 2004
Original Title:
Saving Face
Genres:
Comedy | Drama | Romance
Production Companies:
Destination Films
Forensic Films
GreeneStreet Films
Overbrook Entertainment
Production Countries:
United States of America
Ratings / Certifications:
AR: +16 GB: 15 HK: IIB HU: 12 JP: R18+ NL: AL SG: R21 TW: 12+ US: R
Runtime: 97
A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Additional Second Assistant Director:
Heather Daniels
Assistant Makeup Artist:
Jeni Zaharian
Camera Operator:
Bill Trautvetter
Costume Design:
Jill Newell
Craft Service:
Roni Armstrong
Dialogue Editor:
Branka Mrkic
Director:
Alice Wu
Director of Photography:
Harlan Bosmajian
Driver:
Scott Mundy
Editor:
Susan Graef
Sabine Hoffman
Executive Producer:
John Penotti
Robin O'Hara
Scott Macaulay
First Assistant Director:
Carrie Fix
Hairstylist:
Joseph Whitmeyer
Key Makeup Artist:
Dionne Pitsikoulis
Angela Gallagher
Line Producer:
Bergen Swanson
Music Supervisor:
Tracy McKnight
Original Music Composer:
Anton Sanko
Producer:
Will Smith
Teddy Zee
James Lassiter
Production Design:
Daniel Ouellette
Production Sound Mixer:
Noah Timan
Script Supervisor:
Mariana Hellmund
Second Assistant Director:
Mariela Comitini
Second Second Assistant Director:
Lauren Guilmartin
Set Decoration:
Mylene Santos
Sound:
Steve Borne
Sound Re-Recording Mixer:
Dominick Tavella
Steadicam Operator:
George Bianchini
Still Photographer:
JoJo Whilden
Stunt Coordinator:
Manny Siverio
Writer:
Alice Wu
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.