A work in constant progress (and occasional regress).
Release Date:
June 19, 2009
Original Title:
Whatever Works
Alternate Titles:
Bármi megteszi
Si la cosa funciona
Whatever Works - Basta che funzioni
Whatever Works - Liebe sich wer kann
מה שעובד
紐約遇到愛
總之得就得
Genres:
Comedy | Romance
Production Companies:
Gravier Productions
Perdido Productions
Wild Bunch
Production Countries:
France | United States of America
Ratings / Certifications:
AT: 12 CA: 14A DE: 12 DK: 7 FR: U IE: 15 IT: T LT: N-13 NL: 6 PT: M/12 US: PG-13
Runtime: 92
Whatever Works explores the relationship between a crotchety misanthrope, Boris and a naïve, impressionable young runaway from the south, Melody. When Melody's uptight parents arrive in New York to rescue her, they are quickly drawn into wildly unexpected romantic entanglements. Everyone discovers that finding love is just a combination of lucky chance and appreciating the value of "whatever works."
Art Department Assistant:
James Granger
Art Department Coordinator:
Glenn Lloyd
Art Department Production Assistant:
Eric Goodwin
Art Direction:
Tom Warren
Assistant Art Director:
Beth Kuhn
Assistant Costume Designer:
Patrick Wiley
Assistant Editor:
Kate Rose Itzkowitz
Assistant Location Manager:
Elizabeth Klenk
Lynn H. Powers
John Spady
Assistant Production Coordinator:
Amy R. Trachtman
Assistant Property Master:
Elizabeth Schlitten
Kathleen Dolan
Assistant Set Decoration:
Jennifer B. Starke
Best Boy Electric:
Jim Mah
Kevin Walsh
Best Boy Grip:
Chris Purificato
Boom Operator:
Pete Fonda
Cableman:
Jason Stasium
Camera Loader:
Adriana Brunatto
Camera Operator:
Kyle Rudolph
Casting:
Laura Rosenthal
Ali Farrell
Juliet Taylor
Casting Associate:
Maribeth Fox
Clearances Consultant:
Jill Meyers
Co-Executive Producer:
Jack Rollins
Charles H. Joffe
Co-Producer:
Helen Robin
Color Timer:
Terry Claborn
Colorist:
Tim Stipan
Compositing Supervisor:
J. John Corbett
Construction Coordinator:
Richard Tenewitz
Costume Assistant:
Jeff Fender
Nicholas McManus
Marco Piemontese
Costume Design:
Suzy Benzinger
Costume Supervisor:
Danajean Cicerchi
Scott Westervelt
Dailies Manager:
Joe Violante
Dailies Operator:
Brian Umana
Dialogue Editor:
Sylvia Menno
Digital Compositor:
David Piombino
Digital Intermediate:
Jesse Morrow
Digital Intermediate Producer:
Dana Bloder
Director:
Woody Allen
Director of Photography:
Harris Savides
Dolby Consultant:
Thomas Kodros
Dolly Grip:
Richard C. Kerekes
Editor:
Alisa Lepselter
Electrician:
Douglas Dalisera
Executive Producer:
Vincent Maraval
Brahim Chioua
Extras Casting:
Karen E. Etcoff
Extras Casting Assistant:
Bill Tripician
Finance:
Richard V. McCune
Erik Piecuch
First Assistant Camera:
Tim Norman
First Assistant Director:
Richard Patrick
First Assistant Editor:
Morgan Neville
Foley Artist:
Jay Peck
Foley Editor:
Matthew Haasch
Foley Recording Engineer:
Ryan Collison
Gaffer:
Russ Engels
Hairstylist:
Gail McGuire
Key Carpenter:
Kenneth Brzozowski
Key Construction Grip:
Nicholas Mongelli Jr.
Key Grip:
James Finnerty, Jr.
Key Hair Stylist:
Robert Fama
Key Makeup Artist:
Rosemary Zurlo
Key Rigging Grip:
Joel Carucci
Key Scenic Artist:
Jon Ringbom
Leadman:
Daniel K. Grosso
Legal Services:
Irwin J. Tenenbaum
Shani Hinton
Location Assistant:
Nate Shull
Joshua Shull
Colby Shrefler
Location Manager:
Christie Mullen
Location Scout:
Gine Lui
Susan Silas
Suk Yi Mar
Makeup Artist:
Linda Melo-Danzo
Negative Cutter:
Mo Henry
Other:
Melissa Tomjanovich
Joshua Book
Rebecca Hawkes
Laura Comerford
Laura Streicher
Emma Pindar
Dan Majkut
Payroll Accountant:
Kelly Trivigno
Producer:
Letty Aronson
Stephen Tenenbaum
Producer's Assistant:
Deborah Alexander
Production Accountant:
Abby Bailey
Pietro Lorino, Jr.
Production Coordinator:
Scott Kordish
Production Design:
Santo Loquasto
Production Office Assistant:
Peter Tavis, Jr.
Production Secretary:
Sawyer Williams
Production Sound Mixer:
Gary Alper
Projection:
Adrianne Jorge
Property Master:
Ann Miller
Publicist:
Caroline Turner
Rigging Grip:
Greg Canicio
Scenic Artist:
Virginia Gifford
Cliff Schorr
Tom Nousias
Script Supervisor:
Jessica Lichtner
Second Assistant Camera:
Matt Balzarini
Second Assistant Director:
Murphy Occhino
Set Decoration:
Ellen Christiansen
Set Production Assistant:
Lora Sorrentino
Brian Papworth
James Lesage
Soren Miltich
Shop Electric:
James Walsh, Sr.
Sound Editor:
David Wahnon
Sound Effects Editor:
Glenfield Payne
Sound Re-Recording Mixer:
Lee Dichter
Standby Carpenter:
Joseph Ziegler
Still Photographer:
Jessica Miglio
Stunt Coordinator:
Peter Bucossi
Stunt Double:
Don Hewitt Sr.
Supervising Sound Editor:
Robert Hein
Thanks:
Neil Girardi
James Hickey
Antoine Douaihy
Transportation Captain:
Gene O'Neill
Transportation Co-Captain:
John Canavan
Transportation Coordinator:
Leo Driver
Unit Production Manager:
Helen Robin
VFX Supervisor:
Randall Balsmeyer
Visual Effects Producer:
Adrienne Winterhalter
Writer:
Woody Allen
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.