A work in constant progress (and occasional regress).
Release Date:
October 3, 1986
Original Title:
Hay que deshacer la casa
Genres:
Comedy
Production Companies:
Incine
Jet Films
Lince Films S.A.
Production Countries:
Spain
Ratings / Certifications:
RO: 15
Runtime: 95
Ana is a middle aged woman who many years ago decided to start a new life in Paris. Now she must return to her hometown after the death of her parents, since they have left her an inheritance. There she meets Laura, her only sister, with whom she has to share the money received and, especially, an old house located in the center of Guadalajara. Now, the two women will have to leave the differences and problems behind that have arisen in the past to catch up and recover the fraternal relationship. Written by lament
Assistant Camera:
Ramón Perdiguero
Juan Carlos Rodríguez
Assistant Decorator:
Ferran Sánchez
Assistant Editor:
Santiago Cerro
Álex Calvo-Sotelo
Camera Operator:
Eduardo Noé
Carpenter:
Agustín Gaspar
Guillermo Vinssac
Martín Sánchez
Antonio Pérez
Ausencio Pérez
Construction Coordinator:
Ramón Moya
Director:
José Luis García Sánchez
Director of Photography:
José Luis Alcaine
Editor:
Pablo G. del Amo
Electrician:
Miguel Ángel Rodríguez
Alberto Arnal
Antonio García
Emiliano Merino
Executive Producer:
Luis Sanz
First Assistant Director:
Manuel Gómez Pereira
Gaffer:
Fulgencio Rodríguez
Grip:
Agustín Grande
Hairdresser:
Antoñita viuda de Ruiz
Hairstylist:
Josefa Morales
Key Grip:
Carlos Miguel
Makeup Artist:
Romana González
Music:
Miguel Morales
Painter:
Juan Moreno
José de Cruz
Félix Álvarez
Production Assistant:
Salvador Pons
Production Design:
Gerardo Vera
Production Manager:
Monica Del Bosco-Loew
Property Master:
Daniel Miranda
Script Supervisor:
Cecilia Bayonas
Seamstress:
Josune Lasa
Second Assistant Director:
Eduardo Armiñán
Sound Assistant:
Miguel Granados
Sound Engineer:
Enrique Bañuls
Sound Mixer:
Enrique Molinero
Sound Re-Recording Mixer:
Antonio Illán
Still Photographer:
Felipe López
Writer:
Sebastián Junyent
Rafael Azcona
José Luis García Sánchez
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.