A work in constant progress (and occasional regress).
Release Date:
March 27, 2009
Original Title:
The Haunting in Connecticut
Alternate Titles:
Das Haus der Dämonen - The Haunting in Connecticut
Invocando Espiritus
The Haunting in Connecticut 1
Genres:
Horror | Thriller
Production Companies:
Gold Circle Films
Integrated Films
Lionsgate
Production Countries:
United States of America
Ratings / Certifications:
AT: 16 BR: 16 anos DE: 16 GB: 15 IE: 15 JP: PG12 NL: 16 PT: M/16 US: PG-13
Runtime: 102
When the Campbell family moves to upstate Connecticut, they soon learn that their charming Victorian home has a disturbing history: not only was the house a transformed funeral parlor where inconceivable acts occurred, but the owner's clairvoyant son Jonah served as a demonic messenger, providing a gateway for spiritual entities to crossover.
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Art Department Coordinator:
Khali Wenaus
Art Direction:
Edward Bonutto
Associate Producer:
Jonathan Shore
Casting:
Eyde Belasco
Jim Heber
Co-Producer:
Brad Kessell
Jeff Levine
Phyllis Laing
Costume Design:
Meg McMillan
Director:
Peter Cornwell
Director of Photography:
Adam Swica
Editor:
Tom Elkins
Eric L. Beason
Executive In Charge Of Post Production:
Joanna L. Jones
Executive In Charge Of Production:
Dylan Tarason
Executive Producer:
Scott Niemeyer
Norm Waitt
Steve Whitney
Gaffer:
John Clarke
Line Producer:
Lesley Oswald
Original Music Composer:
Robert J. Kral
Post Production Supervisor:
Koah Kruse
Producer:
Paul Brooks
Andrew Trapani
Daniel Farrands
Wendy Rhoads
Production Design:
Alicia Keywan
Production Manager:
Lesley Oswald
Prosthetic Supervisor:
Todd Masters
Dan Rebert
Script Supervisor:
Alanna Mills
Set Decoration:
Steve Shewchuk
Craig Sandells
Steadicam Operator:
Junichi Hosoi
Storyboard Artist:
Janet Kusnick
Stunt Coordinator:
Rick Skene
Stunt Double:
Kristen Sawatzky
VFX Editor:
Todd Busch
Writer:
Adam Simon
Tim Metcalfe
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.