A work in constant progress (and occasional regress).
Release Date:
November 5, 1993
Original Title:
Flesh and Bone
Alternate Titles:
Flesh and Bone - Ein blutiges Erbe
Le lien
Ondskan är tålmodig
Silencio de sangre
Unha com Carne
Genres:
Drama | Romance | Thriller
Production Companies:
Mirage Cinematografica
Paramount Pictures
Spring Creek Pictures
Production Countries:
United States of America
Ratings / Certifications:
CZ: 15+ FR: TP HU: 18 US: R
Runtime: 126
Haunted by memories of his father murdering a family, Arlis Sweeney prefers to keep to himself, focusing his energy on his work. One day, the traumatic past that eats away at him returns when he meets Kay Davies, a woman connected to the bloody event. Against all odds, Arlis and Kay fall in love; however, when his father, Roy, reappears in his life -- with the coldhearted Ginnie in tow -- Arlis must deal with his past demons.
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ADR Mixer:
Brian Ruberg
Additional Editor:
Anthony Sherin
Art Department Coordinator:
Beth Bernstein
Art Direction:
Charles William Breen
Assistant Art Director:
Gary Diamond
Assistant Chief Lighting Technician:
James Babineaux
Assistant Costume Designer:
Taneia Lednicky
Assistant Editor:
Jim Makiej
Heather Persons
Assistant Property Master:
Christopher Carlson
Assistant Set Decoration:
Patricia Malone
Boom Operator:
Andrew Schmetterling
Cableman:
Mauriece Jacks Jr.
Camera Operator:
Anastas N. Michos
Casting:
Juel Bestrop
Risa Bramon Garcia
Catering:
Elizabeth Smith Maxwell
Michael Maxwell
Charge Scenic Artist:
Brian Stultz
Chief Lighting Technician:
Jack English
Co-Producer:
G. Mac Brown
Color Timer:
Mike Milliken
Construction Coordinator:
Tom Dreesen
Costume Designer:
Elizabeth McBride
Dialogue Editor:
Ralph Osborn
Gary Lewis
Pat McCormick
Adam Sawelson
Director:
Steve Kloves
Director of Photography:
Philippe Rousselot
Dolby Consultant:
Steve F.B. Smith
Dolly Grip:
C. Ashley Sudge
Editor:
Mia Goldman
Executive Producer:
Sydney Pollack
First Assistant Camera:
Ted Morris
First Assistant Director:
Cara Giallanza
First Assistant Sound Editor:
Doug Kent
First Company Grip:
C. Alan Rawlins Sr.
Foley Mixer:
Dean Drabin
Grip:
Robert Hicks
Alan J. Bullard
Michael Alexonis
Steve Belsky
Hairstylist:
Colleen Callaghan
In Memory Of:
Mark Rosenberg
Lead Set Dresser:
John D. Kretschmer
Lighting Technician:
Scott Graves
George M. Chappell
Location Manager:
Andrew D. Cooke
Makeup Artist:
Dorothy J. Pearl
Leonard Engelman
Music Consultant:
Joel Sill
Music Editor:
Bill Bernstein
Negative Cutter:
Gary Burritt
Original Music Composer:
Thomas Newman
Post Production Supervisor:
Sara Romilly
Producer:
Mark Rosenberg
Paula Weinstein
Production Accountant:
Sue Bokobza
Production Coordinator:
Mari-Jo Winkler
Production Design:
Jon Hutman
Property Master:
Trish Gallaher Glenn
Rigging Gaffer:
Daniel Murphy
Screenplay:
Steve Kloves
Script Supervisor:
Valerie E. Norman
Second Assistant Camera:
J. Steven Latham
Second Assistant Director:
Marge Piane
Second Company Grip:
J. Wayne Parker
Second Second Assistant Director:
Jordan Stone
Set Costumer:
Eva Prappas
Set Decoration:
Samara Schaffer
Set Dresser:
Darren Patnode
Jerry King
Marcus Brown
Shane Patrick
Jeff Schwan
Lisa K. Sessions
Joe Self
Sound Effects Editor:
Joe Earle
Simon Coke
Bruce Tanis
Christopher Flick
Sound Mixer:
Danny Michael
Sound Re-Recording Mixer:
Andy Nelson
Steve Pederson
Sound Recordist:
Ann Hadsell
Samuel F. Kaufman
Andrea Lakin
Joan Chamberlain
Special Effects Coordinator:
Margaret Johnson
Special Effects Supervisor:
Randy E. Moore
Still Photographer:
Lorey Sebastian
Stunt Coordinator:
Andy Armstrong
Stunt Double:
Brad Bovee
Supervising ADR Editor:
Joe Dorn
Supervising Sound Editor:
Scott A. Hecker
Unit Production Manager:
G. Mac Brown
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.