A work in constant progress (and occasional regress).
Release Date:
February 7, 2009
Original Title:
The Cry of the Owl
Alternate Titles:
Der Schrei der Eule 2
Il grido della civetta
The Watched
The Watcher
Țipătul bufniței
Крик совы
더 크라이 오브 더 오울
Genres:
Drama | Mystery | Thriller
Production Companies:
BBC Film
MACT Productions
Myriad Pictures
Sienna Films
Studio Hamburg International Production (SHIP)
Production Countries:
Canada | France | Germany | United States of America
Ratings / Certifications:
CA: R DE: 12 GB: 15 NL: 12 US: R
Runtime: 101
Fleeing New York City, a failed marriage and a fragile mental history, artist Robert Forrester moves to small-town Pennsylvania. There he becomes fascinated with the simple domesticity of a beautiful neighbor, watching her through the windows of her home --- until she invites him in for coffee. He is drawn into a relationship with the young woman whose boyfriend goes missing; Robert becomes a murder suspect, gradually sensing he is the target of a larger plot.
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ADR Coordinator:
Lorraine Samuel
ADR Editor:
Annette Prey
ADR Recording Engineer:
Dimitrios Posukidis
ADR Supervisor:
Richard Calistan
Accountant:
Marie-Noëlle Hauville
Franck Celton
Animal Wrangler:
Jane Conway
Art Department Trainee:
Neil Floyd
Art Direction:
Brent McGillivray
Assistant Costume Designer:
Lerelynne Phillips
Assistant Director Trainee:
Jessica Giles
Assistant Editor:
Benjamin Gerstein
Michael Nollet
Assistant Hairstylist:
Amanda Milne
Assistant Location Manager:
Brad Gratkowski
Keith Park
Assistant Makeup Artist:
Yasmeen Jalali
Assistant Production Coordinator:
Basil Person
Assistant Property Master:
Glen Roemer
Associate Producer:
Harro von Have
Best Boy Electric:
John Pogue
Best Boy Grip:
Jeff Smallacombe
Boom Operator:
Iain Stewart
Business Affairs Coordinator:
Arlene Singh
Camera Loader:
Tricia Meyer
Camera Operator:
Michael Spicer
Casting:
Robin D. Cook
Millie Tom
Color Grading:
Ronney Afortu
Construction Manager:
Dwight Doerksen
Costume Designer:
Lea Carlson
Costume Set Supervisor:
Jozie Conte
Craft Service:
Cassie Bouchard
David Mackay
Creative Producer:
Ronald Kruschak
Dialogue Coach:
Dan Pawlick
Dialogue Editor:
Dimitrios Posukidis
Director:
Jamie Thraves
Director of Photography:
Luc Montpellier
Dolby Consultant:
Norbert Zich
Dolly Grip:
Anthony Police
Driver:
Andres Vosu
Jerome McCann
John Gillies
Alan Moy
Dave Crews
Carl Stoyan
Rick Anglin
Editor:
David Charap
Electrician:
Alex Jordan
Allyn Terry
Mike Curtis
Executive Producer:
Kirk D'Amico
David M. Thompson
Jamie Laurenson
Stephen Ujlaki
Michael Wood
First Assistant Accountant:
Daniela Zomparelli
First Assistant Camera:
Andy Jekabsons
First Assistant Director:
David Manion
Foley Artist:
Peter Roigk
Foley Recordist:
Dominik Oppon
Gaffer:
Terry Kelly
Generator Operator:
Cactus Simser
Gun Wrangler:
Peeter Tammemagi
Head Carpenter:
Ed Doerksen
Head Driver:
Chris Radley-Walters
Key Accountant:
Birgit Mangold
Key Grip:
Darren Boyce
Key Hair Stylist:
George Aywaz
Key Makeup Artist:
Stephen Lynch
Lead Set Dresser:
Brent Kelly
Line Producer:
Claire Welland
Location Manager:
Derek Brady
Location Production Assistant:
Baynu Misir
William Hawrylenko
Main Title Designer:
Ute Storm
Makeup Artist:
Stephen Lynch
Music Supervisor:
Amy Fritz
Ursula Campbell
Novel:
Patricia Highsmith
On Set Dresser:
Robin Klein
Original Music Composer:
Jeff Danna
Post Production Scripts:
Terence French
Post Production Supervisor:
Gabriele Niemeyer
Producer:
Malte Grunert
Jennifer Kawaja
Antoine de Clermont-Tonnerre
Sytze van der Laan
Julia Sereny
Producer's Assistant:
Karl Fairweather
Production Accountant:
Nora Simmons
Production Coordinator:
Kimberley Bradley
Vera Kehlenbrink
Nico Grein
Geraldine Jourdan
Production Design:
Matthew Davies
Production Executive:
Günther Russ
Andrea Glinski
Production Manager:
Claire Welland
Property Master:
Robert Blair
Prosthetic Makeup Artist:
Scott Hamilton
Publicist:
Cynthia Amsden
Scoring Mixer:
Ron Searles
Brad Haehnel
Script Supervisor:
Donna Gardon
Second Assistant Accountant:
Steve Sheridan
Second Assistant Art Director:
Aaron Morrison
Second Assistant Camera:
Jeff DaSilva
Second Assistant Director:
Richard Black
Set Decoration:
Erica Milo
Set Decoration Buyer:
Janet MacLeod
Set Dresser:
Jordan Kerner
Nitram Dass
Sound Assistant:
Thekla Demelius
Sound Mixer:
Robert Fletcher
Sound Re-Recording Mixer:
Ralph Thiekötter
Sound Recordist:
Robert Fletcher
Special Effects Assistant:
John Sandever
Special Effects Coordinator:
Brock Jolliffe
Special Effects Makeup Artist:
Scott Hamilton
Specialized Driver:
Glen Weller
Stand In:
Adam Chuckryk
Rhonda Hall
Steadicam Operator:
Iain Baird
Still Photographer:
Ken Woroner
Christos Kalohoridis
Stunt Coordinator:
Alison Reid
Stunt Double:
Alison Reid
Walter Masko
Bryan Renfro
Christopher McGuire
Supervising Sound Editor:
Nigel Holland
Thanks:
Tony Emsley
John Hillcoat
Nick Marston
Tally Garner
Rose Garnett
Sian Sutherland
John Galway
Shelley Gillen
Martin Harbury
Jim Sternberg
Robin O'Hara
Scott Macaulay
Julia Valentine
Third Assistant Director:
John Sauve
Transportation Captain:
Don Chan
Transportation Coordinator:
Al MacNeil
Truck Supervisor:
Karen Steele
VFX Artist:
Markus 'Maggi' Selchow
Writer:
Jamie Thraves
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.