A work in constant progress (and occasional regress).
Release Date:
April 29, 1999
Original Title:
Entrapment
Alternate Titles:
Ansa viritetty
Brilliáns csapda
Klopka
La Emboscada
La emboscada
Lõks
Past
Клопка
偷天陷阱
将计就计
將計就計
Genres:
Drama | Mystery | Romance
Production Companies:
Fountainbridge Films
Regency Enterprises
Production Countries:
United Kingdom | United States of America
Ratings / Certifications:
AU: MA15+ BE: 18 BR: 12 CH: 12 CZ: 12+ DE: 12 DK: 11 FI: K-12 FR: U|12 GB: 12 HU: 12 IE: 12 MX: B-15 NL: 12 NO: 15 PL: 16 PT: M/12 RU: 16+ SE: 15 SK: 12 US: PG-13
Runtime: 112
Two thieves, who travel in elegant circles, try to outsmart each other and, in the process, end up falling in love.
Click each video panel to show or hide.
Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
3D Animator:
Chris George
ADR Editor:
Christopher Ackland
ADR Mixer:
Sandy Buchanan
ADR Voice Casting:
Louis Elman
Accountant:
Gloria Salas
Additional Casting:
Lucinda Syson
Animation Supervisor:
Mike Williams
Armorer:
Charles Bodycomb
Art Department Coordinator:
Katie Gabriel
Art Direction:
Keith Pain
Michael Boone
Kevin Phipps
Assistant Accountant:
Emma Bendell
Assistant Art Director:
Gary Tomkins
Sue Whitaker
Assistant Camera:
Elvin Lee Chee Peng
Assistant Chief Lighting Technician:
Steve Mcleod
Assistant Costume Designer:
John Norster
Assistant Director:
James Armstrong
Assistant Editor:
Tony Tromp
Assistant Grip:
Azman Bin Hitam
Assistant Location Manager:
Becky Jones
Assistant Production Coordinator:
Mona Benjamin
Assistant Sound Engineer:
Ben Georgiades
Best Boy Electric:
Vernon Connolly
Boom Operator:
Paul Cridlin
Camera Loader:
Lee Vickery
Camera Operator:
Roger Pearce
Camera Technician:
Gary Lamantia
Camera Trainee:
Nick Murray
Casting:
Michelle Guish
Donna Isaacson
Kim Miscia
Casting Assistant:
Gaby Kester
Casting Coordinator:
Christina Thomas
Choreographer:
Paul Harris
Clapper Loader:
Sam Barnes
Color Timer:
David Rees
Concept Artist:
Adam Brockbank
Conductor:
Pete Anthony
Construction Buyer:
Jack Dyer
Costume Coordinator:
Mei Lai Hippisley Coxe
Costume Design:
Penny Rose
Craft Service:
Jenny Nichols
Dialect Coach:
Susan Hegarty
Dialogue Editor:
William Parnell
Digital Compositors:
Colin Alway
Digital Effects Supervisor:
Alex Bicknell
Director:
Jon Amiel
Director of Photography:
Phil Meheux
Dolby Consultant:
Mark Kenna
Dolly Grip:
Tom Gilligan
Dressing Prop:
John Fox
Editor:
Terry Rawlings
Electrician:
Andrew Gardiner
Executive Producer:
Ronald Bass
Arnon Milchan
Iain Smith
First Assistant Camera:
James R. Belletier
First Assistant Editor:
Tim Grover
First Assistant Sound Editor:
Pat Gilbert
Floor Runner:
Ben Smith
Focus Puller:
Andy Stevens
Foley:
Bob Risk
Gaffer:
Terry Potter
Graphic Designer:
Carol Kupisz
Hair Department Head:
Colin Jamison
Hairstylist:
Jan Jamison
Head Carpenter:
Trevor Dyer
Head of Production:
Courtney Vanderslice
Health and Safety:
Cyril Gibbons
Key Hairdresser:
Hilary Haines
Leadman:
Mohan Singh
Location Assistant:
Linzi Baltrunas
Location Manager:
Christian McWilliams
Richard Sharkey
Simon Marsden
Ramesh Appathurai
Makeup Artist:
Belinda Parish
Peter Robb-King
Linda Bodily
Makeup Department Head:
Frances Hannon
Music Consultant:
Bob Last
Music Coordinator:
Benedikt Brydern
Music Editor:
Andrew Glen
Orchestrator:
Bruce Babcock
Original Music Composer:
Christopher Young
Painter:
Derek Dackombe
Producer:
Rhonda Tollefson
Michael Hertzberg
Sean Connery
Production Accountant:
Brenda Coxon
Production Assistant:
Don Ng
Production Coordinator:
Elaine Burt
Production Design:
Norman Garwood
Production Manager:
Faye Ong
Production Runner:
Emily Lascelles
Production Secretary:
Joane Baptiste
Production Supervisor:
Sarah Bradshaw
Project Manager:
Stuart Bailey
Property Master:
Maxie McDonald
Les Benson
Researcher:
Simon Eves
Rigging Gaffer:
John Ash
Scenic Artist:
Stuart Clarke
Score Engineer:
Geoff Foster
Screenplay:
William Broyles Jr.
Ronald Bass
Script Coordinator:
Mads Hansen
Script Supervisor:
Lisa Vick
Sculptor:
Bryn Court
Second Assistant Camera:
Oliver Cary
Second Assistant Director:
Michael Stevenson
Second Unit Director:
Vic Armstrong
Set Decoration:
Anna Pinnock
Set Production Assistant:
William Dodds
Sound Assistant:
Gareth John
Sound Mixer:
David John
Sound Re-Recording Mixer:
John Hayward
Special Effects Assistant:
Cliff Corbould
Special Effects Coordinator:
Carol McAulay
Special Effects Supervisor:
Neil Corbould
Special Effects Technician:
William J. Bishop
Standby Painter:
Charles Cottrell
Steadicam Operator:
Alf Tramontin
Still Photographer:
David Appleby
Story:
Ronald Bass
Michael Hertzberg
Storyboard Artist:
Martin Asbury
Temple Clark
Stunt Coordinator:
Vic Armstrong
Jim Dowdall
Stunt Double:
Gabe Cronnelly
Stunt Driver:
Steve Truglia
Stunts:
Roy Alon
Supervising Art Director:
Jim Morahan
Supervising Carpenter:
Stephen Challenor
Supervising Sound Editor:
Jim Shields
Thanks:
Simon P Thorp
Third Assistant Director:
Carlos Fidel
Transportation Coordinator:
Francis Abdullah
Underwater Camera:
Peter Davey
Unit Manager:
Judy Britten
Unit Production Manager:
John H. Starke
Unit Publicist:
Linda Gamble
Utility Stunts:
Stuart Clark
Video Assist Operator:
Bob Balzarini
Visual Effects Coordinator:
Alexandra Day
Visual Effects Supervisor:
Nick Davis
Wardrobe Assistant:
David Croucher
Wardrobe Master:
Mark Holmes
Wardrobe Supervisor:
Ken Crouch
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.