A work in constant progress (and occasional regress).
Release Date:
November 17, 2005
Original Title:
Rent
Alternate Titles:
Vidas extremas
Genres:
Drama | Romance
Production Companies:
1492 Pictures
Columbia Pictures
Revolution Studios
Production Countries:
United States of America
Ratings / Certifications:
AT: 6 AU: M CZ: 15+ DE: 12 ES: 18 FR: TP GB: 12A HU: 16 IE: 15A KR: 15 SE: 7 US: PG-13
Runtime: 135
This rock opera tells the story of one year in the life of a group of bohemians struggling in late 1980s East Village, New York, USA. The film centers around Mark and Roger, two roommates. While a tragedy has made Roger numb to new experiences, Mark begins capturing their world through his attempts to make a personal movie. In the year that follows, they and their friends deal with love, loss, and working together.
Assistant Dialogue Editor:
Coya Elliott
Casting:
Tiffany Little Canfield
Bernard Telsey
David Vaccari
Costume Design:
Aggie Guerard Rodgers
Director:
Chris Columbus
Director of Photography:
Stephen Goldblatt
Editor:
Richard Pearson
Executive Producer:
Allan S. Gordon
Kevin McCollum
Lata Ryan
Jeffrey Seller
Tom Sherak
Lyricist:
Jonathan Larson
Music:
Robert Cavallo
Doug McKean
Jamie Muhoberac
Tim Pierce
Musical:
Jonathan Larson
Original Music Composer:
Jonathan Larson
Producer:
Michael Barnathan
Chris Columbus
Robert De Niro
Paula DuPré Pesmen
Geoffrey Hansen
Mark Radcliffe
Jane Rosenthal
Production Assistant:
Patrick Tendai Pfupajena
Production Design:
Howard Cummings
Screenplay:
Stephen Chbosky
Set Decoration:
Barbara Munch
Mark Warren
Songs:
Jonathan Larson
Sound Re-Recording Mixer:
Lora Hirschberg
Stunt Coordinator:
G.A. Aguilar
Stunt Double:
Jennifer Caputo
Stunt Driver:
John Cenatiempo
Stunts:
Robin Lynn Bonaccorsi
Diana Lee Inosanto
Jill Brown
Writer:
Jonathan Larson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.