A work in constant progress (and occasional regress).
Release Date:
May 5, 1995
Original Title:
El Callejón de los Milagros
Alternate Titles:
A Milagros sikátor
Aleea miracolelor
Csodák utcája
El callejón de los milagros
Het mirakelsteegje
Midaq Alley - unelmien kuja
Miracle Alley
O Beco dos Milagres
Zaulek cudów
Genres:
Drama
Production Companies:
Alameda Films
Consejo Nacional para la cultura y las artes
Instituto Mexicano de Cinematografía
Production Countries:
Mexico
Ratings / Certifications:
CA: 18A ES: 13 MX: B-15 US: NR
Runtime: 140
Heated tempers, frustrated desires and dashed hopes plague a diverse group of individuals whose lives cross paths in Mexico City. There is the bar-owner's son, Chava, who yearns to emigrate to America. A poor barber, Abel, is madly in love with the gorgeous Alma, who eventually becomes a high-class prostitute. Finally, there is Susanita, the desperate spinster who pursues many love affairs in hopes of finding a husband.
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Art Direction:
Carlos Gutiérrez
Assistant Director:
Mario Zaragoza
Avelino Rodríguez
René Villarreal
Assistant Editor:
Rafael Savage
Boom Operator:
Eduardo Valverde
Casting:
Claudia Becker
Color Timer:
Larry Engelmann
Director:
Jorge Fons
Director of Photography:
Carlos Marcovich
Editor:
Carlos Savage
Gaffer:
Enrique Morales
Grip:
Gustavo Covarrubias
Line Producer:
Daniel Birman Ripstein
Makeup Artist:
Elvia Romero
Music:
Lucía Álvarez
Novel:
Naguib Mahfouz
Producer:
Alfredo Ripstein Jr.
Georgina Balzaretti
Production Manager:
Gerardo Barrera
Property Master:
Antonio Mata
Screenplay:
Vicente Leñero
Script Supervisor:
José Luis Ortega
Set Decoration:
Carlos Gutiérrez
Still Photographer:
Federico García
Title Graphics:
Eduardo Mendoza
Transportation Captain:
Ricardo Díaz Avilés
Transportation Co-Captain:
Enrique Díaz
Visual Effects:
Manuel Sainz
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.