A work in constant progress (and occasional regress).
Featuring:
Anjelica Huston, John Cusack, Annette Bening
Written by:
Jim Thompson
Donald E. Westlake
Directed by:
Stephen Frears
Release Date:
August 8, 1990
Original Title:
The Grifters
Alternate Titles:
千网危情
致命赌徒
그리프터스
Genres:
Crime | Drama
Production Companies:
Cineplex-Odeon Films
Production Countries:
Canada | United States of America
Ratings / Certifications:
AU: M CA: 18A CZ: 15+ DE: 16 FR: U GB: 15 GR: 16 KR: 18 PT: M/16 US: R
Runtime: 110
A small-time conman has his loyalties torn between his estranged mother and his new girlfriend, both of whom are high-stakes grifters with their own angles to play.
Lily works for a bookie, placing bets to change the odds at the track. When her son is hospitalized after an unsuccessful con job and resultant beating, she finds that even an absentee parent has feelings for her child. This causes her own job to go wrong as well. Each of them faces the down side of the grift.
Internet Movie Database | 6.9/10 |
---|---|
Rotten Tomatoes | 92% |
Metacritic | 86/100 |
Awards Won: | Nominated for 4 Oscars. 10 wins & 21 nominations total |
Art Department Coordinator:
Scott Plauche
Art Direction:
Leslie McDonald
Assistant Costume Designer:
Mark Bridges
Kimberly Adams
Assistant Location Manager:
Jody Hummer
Assistant Production Coordinator:
Beth Bernstein
Assistant Property Master:
Bill Cancienne
Joseph Timothy Conway
Assistant Set Decoration:
Claire Gaul
Paige Augustine
Best Boy Electric:
James Babineaux
Boom Operator:
Ian Wright
Casting:
Victoria Thomas
Juliet Taylor
Casting Associate:
Jory Weitz
Co-Producer:
Peggy Rajski
Construction Coordinator:
Frank Viviano
Construction Foreman:
Chris Snyder
Costume Design:
Richard Hornung
Dialogue Editor:
Derek Holding
Director:
Stephen Frears
Director of Photography:
Oliver Stapleton
Editor:
Mick Audsley
Executive Producer:
Barbara De Fina
First Assistant Camera:
Marco Mazzei
First Assistant Director:
J. Stephen Buck
Foley Editor:
Rick Dunford
Gaffer:
Jack English
Hairstylist:
Cydney Cornell
Leadman:
Robert Greenfield
Location Manager:
Richard Davis Jr.
Makeup Artist:
Julie Hewett
Novel:
Jim Thompson
Original Music Composer:
Elmer Bernstein
Producer:
Robert A. Harris
Jim Painter
Martin Scorsese
Production Accountant:
Cynthia Quan
Production Coordinator:
Kathleen M. Courtney
Production Design:
Dennis Gassner
Production Manager:
Llewellyn Wells
Property Master:
Douglas Fox
Screenplay:
Donald E. Westlake
Script Supervisor:
Mary Cybulski
Second Assistant Camera:
Katherine M. Butler
Second Assistant Director:
Joe Camp III
Set Decoration:
Nancy Haigh
Sound Mixer:
John Sutton
Sound Re-Recording Mixer:
Peter Maxwell
Still Photographer:
Suzanne Hanover
Stunt Coordinator:
Gary Jensen
Supervising Sound Editor:
Kant Pan
Third Assistant Camera:
Matthew Morrissey
Transportation Captain:
Bill M. Puluti
Transportation Coordinator:
A. Welch Lambeth
Wardrobe Supervisor:
Elizabeth Feldbauer
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.