A work in constant progress (and occasional regress).
Release Date:
October 8, 1976
Original Title:
Assault on Precinct 13
Alternate Titles:
Asalto a la comisaría del distrito 13
Asalto en la comisaría del distrito 13
Assalto à 13.ª Esquadra
Das Ende
John Carpenter's Assault on Precinct 13
John Carpenter's Das Ende
John Carpenters Assault - Anschlag bei Nacht
The Anderson Alamo
The Siege
Genres:
Action | Crime | Thriller
Production Companies:
Overseas FilmGroup
The CKK Corporation
Production Countries:
United States of America
Ratings / Certifications:
CA: R DE: 18 ES: 18 FR: 12 NL: 16 US: R
Runtime: 91
The skeleton staff of a police station, in a deserted neighborhood, that is closing down the next day are under attack all night by the overwhelming numbers of a relentless street gang bent on revenge.
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Art Direction:
Tommy Lee Wallace
Assistant Camera:
William Waldman
Douglas Olivares
Assistant Director:
James Nichols
Assistant Editor:
Debra Hill
Curt Schulkey
Best Boy Electrician:
William Mareneck
Michael Everett
Boom Operator:
Alan Cassidy
Director:
John Carpenter
Director of Photography:
Douglas Knapp
Driver:
Trippy Gafford
Editor:
John Carpenter
Executive Producer:
Joseph Kaufmann
Gaffer:
Jack English
Grip:
Trippy Gafford
Key Grip:
Kurt Young
Makeup Artist:
Don Bledsoe
Original Music Composer:
John Carpenter
Payroll Accountant:
Maxine Syrjamaki
Post Production Supervisor:
James Nichols
Producer:
J. Stein Kaplan
Producer's Assistant:
Steve Fine
Production Assistant:
Marla Miller
Blake Schaefer
Randy Moore
Jocelyne Stoikovitch
Tom Hansen
Production Manager:
John Syrjamaki
Property Master:
Craig Stearns
Script Supervisor:
Debra Hill
Set Painter:
Richard Girod
Sound Effects:
Tommy Lee Wallace
Sound Re-Recording Mixer:
Bill Varney
Sound Recordist:
William Cooper
Special Effects:
Richard Albain Jr.
Still Photographer:
Rena Small
Stunt Driver:
John Roy Rogers
Rueben Joe Melendez
Wardrobe Master:
Louise Kyes
Writer:
John Carpenter
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.