A work in constant progress (and occasional regress).
Release Date:
July 5, 1993
Original Title:
12:01
Alternate Titles:
12.01
Mezzanotte e un minito
タイムアクセル 12:01
Genres:
Science Fiction | TV Movie | Thriller
Production Companies:
Chanticleer Films
Fox West Pictures
New Line Television
Production Countries:
United States of America
Ratings / Certifications:
DE: 12 GB: 15 US: PG-13
Runtime: 92
Office employee Barry Thomas is caught in a "time bounce" caused by a glitch in the company's secret project. Now the same day occurs again and again - and Barry's the only one who can do anything about it, including saving the life of beautiful research assistant Lisa Fredericks.
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ADR Mixer:
Jeff Vaughn
Additional Camera:
Matthew J. Curry
David Luckenbach
Scott E. Steele
Additional Second Assistant Director:
Adam Druxman
Additional Set Dresser:
Erik F. Brown
Art Department Production Assistant:
Sabina C. Alvarez
Art Designer:
Thom Schillinger
Art Direction:
Kristian D. Bast
Assistant Art Director:
John Stefanon
Assistant Camera:
Robert A. Saliamonas
Peter K. Wilson
Assistant Editor:
Edward R. Abroms
Best Boy Grip:
James D. Wickman
Boom Operator:
Linda Perry
Camera Loader:
Keoki Ho
Camera Operator:
Bob Gorelick
Casting:
Leslee Dennis
Casting Assistant:
Alyssa Weisberg
Color Timer:
Mato
Costume Design:
Cynthia Bergstrom
Costume Supervisor:
Janet Sobel
Costumer:
Lori DeLapp
Dialogue Editor:
Jim Brookshire
Cathie Speakman
Director:
Jack Sholder
Director of Photography:
Anghel Decca
Dolly Grip:
Bob Ivanjack
Driver:
J. Wesley Adams
Rod Bearden
Dave Dargie
Editor:
Michael N. Knue
Electrician:
G. Smokey Campbell
Roland Cañamar
Dejon Ellis
John C. Nadeau
Eugene Rivera
Brett Santucci
J. Wesley Tillman
Executive In Charge Of Post Production:
Joe Fineman
Executive Producer:
Jana Sue Memel
Sasha Emerson
First Assistant Camera:
Bonnie Blake
Butch Pierson
Andy Sydney
First Assistant Director:
Jeffrey Wetzel
Foley Artist:
Gregg Barbanell
Vince Nicastro
Foley Mixer:
Brian Geer
Gaffer:
Jeffrey C. Mygatt
Grip:
Jerry Antonetti
Jeffrey Douglas
Wayne I. Eulert
Mark 'Guns' Navarette
Alan Parr
Marc Polanski
Edwin Schiernecker
Doug Weinmann
Hairstylist:
Kerry Mendenhall
Key Grip:
Bruce Swift
Leadman:
Gene Bishop
Location Manager:
Vicki Rogers
Makeup Artist:
Anne P. Turk
Music Editor:
Carol Sue Humphrey
On Set Dresser:
David S. Bridson
Original Music Composer:
Peter Rodgers Melnick
Post Production Coordinator:
Lynn Hobson
Post Production Supervisor:
Evan Edelist
Bruce Golin
Producer:
Jonathan Heap
Cindy Hornickel
Bob Degus
Production Design:
Michael Novotny
Property Master:
Steven Schalk
Script Supervisor:
Harriotte H. Aaron
Second Assistant Camera:
Jeff Graham
Konstantin von Krusenstiern
Second Assistant Director:
John Wildermuth
Set Decoration:
Anthony R. Stabley
Short Story:
Richard Lupoff
Sound Effects Editor:
Ricardo Broadus
Harry Cohen
Tim Gedemer
Sound Mixer:
Pat Toma
Sound Re-Recording Mixer:
Scott Ganary
Tony Sereno
Ken Teaney
Special Effects Assistant:
David Domeyer
Special Effects Coordinator:
Bruno Stempel
Steadicam Operator:
David Emmerichs
Still Photographer:
Kimberly Wright
Story:
Jonathan Heap
Stunt Coordinator:
Tim Gilbert
Stunts:
Christine Anne Baur
Mickey Gilbert
Chuck 'Chaz' Hosack
Al Jones
Robert Keller
Lance Gilbert
Ric Roman Waugh
Supervising Sound Editor:
Marc Fishman
Swing:
Joseph W. Grafmuller
Ed Martin II
Richard Paul Pond
Warren Sewell
Phil Tubach
Transportation Coordinator:
Charley Bob Burnham
Unit Production Manager:
Jonathan Sanger
Video Assist Operator:
Terence M. McGuire
Writer:
Philip Morton
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.