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Like Father, Like Son (2013) [G]

Release Date:
September 24, 2013

Original Title:
そして父になる

Alternate Titles:
Father & Son
Father And Son
Isänsä poika
Koks tevas, toks ir sunus
Like Father Like Son
Like Father, Like Son
Like Father,Like Son
Pais e Filhos
Sin fars son
Som far, så sønn
Soshite chichi ni naru
Vater und Sohn
Wie der Vater, so der Sohn
พ่อครับ..รักผมได้ไหม
そして父になる
如父如子
我的意外爸爸
誰調換了我的父親
그렇게 아버지가 된다

Genres:
Drama

Production Companies:
AMUSE
BUN-BUKU
Fuji Television Network
GAGA Corporation

Production Countries:
Japan

Ratings / Certifications:
BR: L  DK: A  GR: Κ-12  IE: 15  KR: ALL  NL: AL  US: G 

Runtime: 120

At what point does a father truly become a father?

Overview from TheMovieDB

Ryota Nonomiya is a successful businessman driven by money. He learns that his biological son was switched with another child after birth. He must make a life-changing decision and choose his true son or the boy he raised as his own.

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Performers

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Production

Art Direction:
Kazunari Hattori

Assistant Camera:
Gen Ito
Shigeto Kunii
Hironori Yamasaki

Assistant Director:
Atsushi Kaneshige

Assistant Editor:
Yusuke Yamada

Assistant Hairstylist:
Rieko Minami
Muranaka Sachie

Assistant Location Manager:
Kazushi Aoyama
Naoyuki Sakamoto
Noriaki Taga

Assistant Makeup Artist:
Rieko Minami
Muranaka Sachie

Assistant Set Decoration:
Ayako Matsuo
Shusaku Tsukamoto

Associate Producer:
Megumi Osawa

Casting:
Toshie Tabata

Casting Assistant:
Yoko Yamashita

Casting Coordinator:
Yoko Sugiyama

Color Timer:
Morio Takahashi

Colorist:
Kazuki Tanahashi

Compositor:
Tsutomu Suga

Costume Assistant:
Sayaka Takahashi

Costumer:
Misako Kajimoto
Kazuko Kurosawa

Dialect Coach:
Hisashi Numata

Digital Intermediate Assistant:
Hisashi Nemoto

Digital Intermediate Editor:
Naotaka Takahashi

Director:
Hirokazu Kore-eda

Director of Photography:
Mikiya Takimoto

Driver:
Hideyuki Hanya
Motomi Hashimoto
Katsuaki Inoue
Tomoyuki Koyama
Hirokazu Tanaka

Editor:
Hirokazu Kore-eda

Executive Producer:
Tatsuro Hatanaka
Chihiro Kameyama
Tatsumi Yoda
Chiaki Harada
Satomi Odake
Yasushi Ogawa

Foley Artist:
Miyuki Horiuchi
Akihiko Okase

Grip:
Yasuhisa Shiomi

Hairstylist:
Hiromi Momose
Narumi Furukawa

Key Grip:
Tsunenobu Tsukimura

Legal Services:
Hirofumi Sugahara

Lighting Technician:
Norikiyo Fujii

Line Producer:
Yasuyuki Niino

Location Manager:
Fumitsugu Abe

Makeup Artist:
Hiromi Momose
Narumi Furukawa

Music Director:
Keiko Shinozaki

Music Producer:
Shin Yasui

Musician:
Ikuko Nishikawa

Negative Cutter:
Megumi Hashiba

Original Music Composer:
Takeshi Matsubara
Junichi Matsumoto
Takashi Mori

Post-Production Manager:
Shigetoshi Nakamura

Producer:
Kaoru Matsuzaki
Hijiri Taguchi

Production Accountant:
Yoshiko Araki
Keiko Oyama

Production Design:
Keiko Mitsumatsu
Ayu Hasuike
Takeshi Kanabayashi
Daichi Kobayashi
Nonoko Matsui
Nobuya Mochinaga
Toshiharu Nakamae
Shigeyuki Sasano

Production Manager:
Yu Kumagai
Yasuharu Suido

Property Master:
Nohara Ichijo

Screenplay:
Hirokazu Kore-eda

Script Supervisor:
Miho Tomita

Second Assistant Director:
Kaoru Endô
Kae Takeyari

Set Decoration:
Akiko Matsuba

Sound:
Yutaka Tsurumaki

Sound Assistant:
Ken Iizuka
Hirotoshi Oguro
Kazuhiko Tomita

Sound Effects Editor:
Akihiko Okase

Still Photographer:
Shinya Sato
Mikiya Takimoto
Teruyoshi Toyota
Sayaka Watanabe
Yoshiaki Yamamoto

Telecine Colorist:
Mayuna Naito
Wataru Shimogawara

Title Designer:
Saori Sekiguchi
Teruo Tsuda

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Most data and links to images for the Movies section come from TheMovieDB (TMDB).

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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)

While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:

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  • Regarding those polls wherein "franchise" movies were submitted as one project until BFI's policy changed to regard them separately, I treated them as ties and renumbered the affected lists accordingly (e.g. the Godfather films).

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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).

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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.