A work in constant progress (and occasional regress).
Release Date:
February 1, 1995
Original Title:
The Living Sea
Alternate Titles:
IMAX - The Living Sea (1995)
IMAX The Living Sea
Mares apasionantes
Wunderwelt der Meere
Żywe Morze
Живой океан
Genres:
Documentary
Production Companies:
MacGillivray Freeman Films
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 39
The Living Sea celebrates the beauty and power of the ocean as it explores our relationship with this complex and fragile environment. Using beautiful images of unspoiled healthy waters, The Living Sea offers hope for recovery engendered by productive scientific efforts. Oceanographers studying humpback whales, jellyfish, and deep-sea life show us that the more we understand the ocean and its inhabitants, the more we will know how to protect them. The film also highlights the Central Pacific islands of Palau, one of the most spectacular underwater habitats in the world, to show the beauty and potential of a healthy ocean.
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Additional Photography:
Ron Fricke
Art Direction:
Thomas A. Walsh
Assistant Camera:
Bob Cranston
Gay Browning
John-Paul Beeghly
Steve Ford
Mark Thurlow
Tim Drnec
Scott Hering
Assistant Editor:
Robert Walker
Myles Connolly
Taj J. Teffaha
Camera Operator:
Brad Ohlund
Camera Supervisor:
Brad Ohlund
Creative Producer:
Stephen Judson
Director:
Greg MacGillivray
Director of Photography:
Greg MacGillivray
Editor:
Stephen Judson
Original Music Composer:
Sting
Post Production Coordinator:
Matthew Muller
Producer:
Greg MacGillivray
David Keighley
Alec Lorimore
Production Design:
Thomas A. Walsh
Production Manager:
Kathy Almon
Screenplay:
Tim Cahill
Roger Holzberg
Sound Effects:
Ron Bartlett
Mark Mangini
Sound Mixer:
Bill Freesh
Ken Teaney
Technical Supervisor:
Jack Tankard
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.