A work in constant progress (and occasional regress).
Release Date:
April 27, 1977
Original Title:
Between the Lines
Genres:
Comedy | Drama
Production Companies:
Midwest Films
Production Countries:
United States of America
Ratings / Certifications:
RO: 18+
Runtime: 101
The staff of the Back Bay Mainline, a Boston underground newspaper that rose to prominence in the 1960s, struggles with the shifting social climate of the '70s amid rumors that the paper is about to be sold to a media giant.
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Additional Music:
Michael Kamen
Assistant Art Director:
Lawrence Miller
Assistant Camera:
Todd Crandall
Assistant Director:
Michael Haley
Assistant Editor:
C. Vaughn Hazell
Assistant Sound Editor:
Ruth Blakeslee
Best Boy Grip:
Tom Stern
Boom Operator:
Keith Gardner
Camera Operator:
Peter Stein
Casting:
Juliet Taylor
Construction Manager:
Joseph E. Petruccio
Costume Design:
Patrizia von Brandenstein
Director:
Joan Micklin Silver
Director of Photography:
Kenneth Van Sickle
Dolly Grip:
Haddon Hufford
Editor:
John Carter
Electrician:
Steve Gerbson
Graphic Designer:
Ron Lieberman
Grip:
Jon R. Tower
Hairstylist:
Steve Atha
Key Grip:
Dustin Smith
Lighting Manager:
Tom Hurwitz
Location Coordinator:
Mary F. Galloway
Makeup & Hair:
Rita Ogden
Producer:
Raphael D. Silver
Production Assistant:
Joe Gilford
Stephen A. Glanzrock
Victor Kempster
Dal LaMagna
Jeremy Mitford
Laura Morgan
John Murray
John Newby
Steve Stone
Production Coordinator:
Susan Zwerman
Production Design:
Stuart Wurtzel
Production Manager:
Paul Ganapoler
Production Secretary:
Barbara Sizemore
Production Sound Mixer:
Nigel Noble
Props:
Christian Kelly
Michael Springer
Scenic Artist:
Edward Garzero
Screenplay:
Fred Barron
Script Supervisor:
Janet Kern
Second Assistant Director:
Laurie B. Eichengreen
Sound Editor:
Alex Pfau
Sound Mixer:
Lee Dichter
Still Photographer:
Lorey Sebastian
Story:
David Helpern
Fred Barron
Wardrobe Supervisor:
Jennifer Nichols
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.