A work in constant progress (and occasional regress).
Release Date:
May 22, 1997
Original Title:
True Love and Chaos
Genres:
Crime | Drama
Production Companies:
Australian Film Finance Corporation
Westside Film & Television
Production Countries:
Australia
Ratings / Certifications:
N/A
Runtime: 97
A man accompanies his lover on a journey, neglecting to mention that an angry drug dealer is in hot pursuit.
Armorer:
John Fox
Assistant Grip:
Peter MacDonnell
Best Boy Electric:
Peter Moloney
Casting:
Gregory Apps
Clapper Loader:
Francesca Bosch
Continuity:
Mojgan Khadem
Costume Designer:
Michael Wilkinson
Costume Supervisor:
Frances Hogan
Dialogue Editor:
James Harvey
Director:
Stavros Kazantzidis
Director of Photography:
László Baranyai
Editor:
Ken Sallows
First Assistant Editor:
Ronny Reinhard
Gaffer:
Rob Young
Generator Operator:
Adam Kercheval
Grip:
Tom Jannike
Hair Supervisor:
Bill Jackson-Martin
Key Grip:
Ian Benallack
Makeup Supervisor:
Bill Jackson-Martin
Music:
David G. Bowers
Martin Lubran
Music Sound Design and Processing:
Ross Cockle
Music Supervisor:
Chris Gough
Musician:
Bart Willoughby
Post Production Supervisor:
Fran Lanigan
Producer:
Ann Darrouzet
Production Accountant:
Sophie Siomos
Production Coordinator:
Susie Wright
Production Design:
Steven Jones-Evans
Production Manager:
Bernadette O'Mahony
Production Secretary:
Monica Zetlin
Runner Art Department:
Jan Edwards
Script Editor:
Annette Blonski
Stephen Sewell
Sound Designer:
Craig Carter
James Harvey
Sound Effects:
Gretchen Thornburn
Sound Recordist:
Lloyd Carrick
Still Photographer:
Suzy Wood
Stunt Coordinator:
Arch Roberts
Stunt Double:
Puven Pather
Thanks:
Bruno Charlesworth
Alice Garner
Emma-Kate Croghan
Martin Fabinyi
Daniel Scharf
Writer:
Stavros Kazantzidis
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.