A work in constant progress (and occasional regress).
Release Date:
March 23, 2007
Original Title:
The Other End of the Line
Alternate Titles:
A vonal másik végén
Agapi stin anamoni
Amor a distancia
Amore in linea
Call Center - Bei Anruf Liebe
Calling in Love
Do Outro Lado da Linha
L'Amore in linea
Llamando al amor
Po drugiej stronie
Romance a Longa Distância
À l'autre bout du fil
На другом конце провода
Genres:
Comedy | Romance
Production Companies:
Adlabs Films Ltd.
Brass Hat Films
Hyde Park Entertainment
Metro-Goldwyn-Mayer
Production Countries:
India | United Kingdom | United States of America
Ratings / Certifications:
AR: 13 MX: B NL: AL SG: PG SK: 12 US: PG-13
Runtime: 106
An employee at an Indian call-center travels to San Francisco to be with a guy she falls for over the phone.
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Art Direction:
Jim Edelhauser
Smita Gupta
Casting:
Emily Schweber
Shanoo Sharma
Costume Design:
Inanna Bantu
Director:
James Dodson
Director of Photography:
Harlan Bosmajian
Editor:
Ethan Maniquis
Executive Producer:
Patrick Aiello
Nick Hamson
Lars Sylvest
Hairstylist:
Shabana Latif
Luize Joyce Margaret
Line Producer:
Debbie Brubaker
Manu Gargi
Location Manager:
Eddie Granillo
Makeup Artist:
Shyam Reddy
Viola Rock
Makeup Department Head:
Shabana Latif
Music:
BC Smith
Music Editor:
Bryon Rickerson
Music Supervisor:
Gina Amador
Post Production Supervisor:
Sean Findley
Producer:
Ashok Amritraj
Peter Chiarelli
Elizabeth Ingold
Production Coordinator:
Kanishka Mehta
Production Design:
Minal D. Rath
Set Decoration:
Kalpa Dave
Jessica M. Lapin
Harsha Rajani
Title Designer:
Eric Fitzgerald
Unit Production Manager:
Urfi Kazmi
Writer:
Tracey Jackson
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.