A work in constant progress (and occasional regress).
Release Date:
February 28, 2013
Original Title:
500 MPH Storm
Alternate Titles:
Hiperkan
Hiperorkan
Hypercane
Hypercane Der 800km/h Megasturm
Supersonic Storm
Tornado-Apokalypse
Genres:
Action | Adventure | Drama | Science Fiction | TV Movie | Thriller
Production Companies:
Indy Entertainment
The Asylum
Production Countries:
United States of America
Ratings / Certifications:
GB: 15 NL: 12 US: PG
Runtime: 90
When an energy experiment goes haywire, a rash of massive hurricanes rips across North America. A high school science teacher must get his family to safety before the hurricanes merge, creating a "hypercane" with the power to wipe the US off the map.
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Although TheMovieDB might provide a key to a YouTube video, there is no guarantee that the video might be present at YouTube.
Boom Operator:
Andrejs Prokopenko
Casting:
Angelique Midthunder
Casting Assistant:
Lava Buckley
Co-Producer:
Paul Bales
Costume Design:
Dusty Wilson
Director:
Daniel Lusko
Director of Photography:
Richard J. Vialet
Editor:
Rob Pallatina
Executive Producer:
David Rimawi
Hairstylist:
Laura Cruz
Key Costumer:
Megan Richardson
Key Grip:
Eli Schneider
Tyler Gendron
Key Makeup Artist:
Bonnie Masoner
Lighting Technician:
Drew Louis
Line Producer:
Nancy Leopardi
Original Music Composer:
Chris Ridenhour
Post Production Supervisor:
Mark Quod
Producer:
David Michael Latt
Production Design:
Derek Bensonhaver
Sound Mixer:
Denielle Rose
Steadicam Operator:
Marco Naylor
Still Photographer:
Morgan Estill
Stunt Coordinator:
Al Goto
Stunts:
Ed Duran
Supervising Sound Editor:
Lisa Ries
Visual Effects Coordinator:
Sandell Stangl
Visual Effects Supervisor:
Emanuel Rosario
Writer:
Hank Woon Jr
Kuang Lee
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.