A work in constant progress (and occasional regress).
Featuring:
Douglas Fairbanks, Clarence Handyside, Rene Boucicault
Written by:
John Emerson
Anita Loos
Directed by:
John Emerson
Release Date:
February 13, 1916
Original Title:
His Picture in the Papers
Genres:
Comedy
Production Companies:
Fine Arts Film Company
Production Countries:
United States of America
Ratings / Certifications:
US: NR
Runtime: 62
Produced at the Reliance studio in Yonkers, New York, HIS PICTURE IN THE PAPERS solidly established Fairbanks as the American ideal of pop, vim, and vigor. Furthermore, the film brought him together with the two collaborators who were to play a profound role in the evolution of his screen persona: writer Anita Loos and her future husband, director John Emerson. The theme was, according to Emerson and Loos, "the great American love of publicity."
Pete Prindle wins the affections of Christine Cadwalader, but the father of the girl demands that Pete shall get a half interest in his father's food product company before he is allowed to marry her. Pete accepts the ultimatum. Proteus Prindle, father of Pete, is angry when he receives the request from his son. He shows how his two girls have broken into print with an illustrated article in Vegetarian Gazette. Pete offers to get his picture on the front pages of all the New York papers. Proteus gives Pete $100 and tells him not to come back till he makes good his boast. Pete wrecks an auto, wins a prize fight, swims to shore from a steamer and is locked up after a fight with the police. But none of these adventures net him more than a line or two in the papers. Then he foils a band of yeggs and rescues a train from being wrecked. Christopher and his daughter are on board and congratulate him. It ends with his getting his picture in all the metropolitan papers.
Assistant Director:
Erich von Stroheim
Emmett J. Flynn
Director:
John Emerson
Director of Photography:
George W. Hill
Writer:
Anita Loos
John Emerson
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.