A work in constant progress (and occasional regress).
Release Date:
March 24, 2009
Original Title:
神鎗手
Alternate Titles:
Godly Gunslingers
Keskin Nişancı
Odstřelovač
Shen qiang shou
Siêu Xạ Thủ
Snajper
Sniper
Sniper - koulutettu tappamaan
Snipers, tireur d'élite
Snipers: Tireurs d'élite
The Sniper
Снайпер
スナイパー:
神槍手
神鎗手
Genres:
Action | Thriller
Production Companies:
Blue Fiction
Media Asia Films
Production Countries:
Hong Kong
Ratings / Certifications:
HK: IIB IT: T KP: 15 KR: 15 SG: NC-16
Runtime: 90
A police sniper teams up with a hot-headed rookie to take down his former friend and teammate, who is exacting revenge on the police force.
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Action Director:
Richard Yuen Tak
Assistant Camera:
Lau Kin-Tai
Boom Operator:
Clare Shan Runciman
Camera Operator:
Kenny Tse Chung-To
Continuity:
Wong Chi-Hang
Dialogue:
Fung Sing-Hang
Ip Siu-Kei
Digital Intermediate Colorist:
Edwin Van Huizen
Lee Kin-Shing
Director:
Dante Lam Chiu-Yin
Director of Photography:
Cheung Man-Po
Editor:
Angie Lam On-Yee
Executive Producer:
John Chong
First Assistant Director:
Kwok Man-Ki
Yiu Man-Kei
Hairstylist:
Kennedy Lau Kam-Hung
Line Producer:
Janet Chun Siu-Chun
Stephen Lam Bing-Kwan
Makeup Artist:
Annabella Chan Sze-Ting
Martial Arts Choreographer:
Richard Yuen Tak
Orchestrator:
Petr Pololáník
Original Music Composer:
Henry Lai Wan-Man
Post-Production Manager:
Nam Ka-Bo
Presenter:
John Chong
Producer:
Candy Leung Fung-Ying
Cheung Hong-Tat
Production Accountant:
Kan Fung-Yee
Production Controller:
Lorraine Ho
Production Design:
Alfred Yau Wai-Ming
Production Manager:
Leo Lai
Property Master:
Leung Yui-Nung
Props:
Au Tat-Yiu
Lee Chi-Shing
Lee Tak-Fai
Li Chih-Ming
Mak Wing-Man
Pyrotechnician:
Chi Shui-Tim
Screenplay:
Dante Lam Chiu-Yin
Jack Ng Wai-Lun
Script Supervisor:
Lok Chi-Hong
Second Assistant Director:
Cox Chong Wing-Ching
Second Unit:
Lau Kin-Tai
Kenny Tse Chung-To
Sound Effects:
Chiu Ka-Shing
Sound Effects Editor:
David Wong
Story:
Dante Lam Chiu-Yin
Jack Ng Wai-Lun
Supervising Producer:
Leo Lai
Unit Manager:
Cheung Yuk-Wah
Visual Effects Supervisor:
Stephen Ma Man-Yin
Writer:
Jack Ng Wai-Lun
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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