A work in constant progress (and occasional regress).
Release Date:
November 10, 1988
Original Title:
I'm Gonna Git You Sucka
Alternate Titles:
Dopadnę cię , frajerze !
Ghetto Busters
Voy a por ti
Genres:
Action | Comedy | Crime
Production Companies:
Front Films
Ivory Way Productions
Metro-Goldwyn-Mayer
Raymond Katz Production
United Artists
Production Countries:
United States of America
Ratings / Certifications:
BR: 16 DE: 12 US: R
Runtime: 88
Jack Spade returns from the army in his old ghetto neighbourhood when his brother, June Bug, dies. Jack declares war on Mr. Big, powerful local crimelord. His army is led by John Slade, his childhood idol who used to fight bad guys in the 70s.
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ADR Editor:
Greg Jacobs
Additional Camera:
George Posedal
Steve Grass
Additional Editor:
Stephen Semel
Additional First Assistant Camera:
Carolyn Chen
Luc G. Nicknair
Additional Photography:
Tom Segal
Apprentice Sound Editor:
Martha Atwell
Art Department Assistant:
Stephanie Golden-Falcon
Roger Stewart
Jan Marie Sessler
Andrew Moore
Mathew 'Cory' Kroyer
Scott Williams
Art Department Coordinator:
Elizabeth Flaherty
Assistant Art Director:
Chris Hopkins
Assistant Costume Designer:
Ceci
Assistant Editor:
Carolina Beroza
Assistant Hairstylist:
Guy Smith
Assistant Location Manager:
Earl West
Assistant Makeup Artist:
Edna Sheen
Assistant Property Master:
Susan L. Bertram
Arnold Peterson
Assistant Set Decoration:
Carol Eaton
Assistant Sound Editor:
Rhonda Munzinger
Todd Toon
Best Boy Electric:
César Augusto González
Best Boy Grip:
Ismael Araujo Jr.
Boom Operator:
Arthur Jackson
Camera Loader:
Anthony C. Cornelius
Carpenter:
Michael Craig Adams
Mark Fite
Ray Stoddard
Casting:
Jaki Brown
Robi Reed
Casting Assistant:
Kimberly Hardin
Choreographer:
Russell Clark
Co-Producer:
Tamara Rawitt
Eric Barrett
Color Timer:
Keith Parrish
Costume Design:
Ruth E. Carter
Craft Service:
David Falicki
Dialogue Editor:
G.W. Brown
Randy Vandegrift
Kimberly Lowe Voigt
Director:
Keenen Ivory Wayans
Director of Photography:
Tom Richmond
Dolly Grip:
Mark Emery Moore
Driver:
Ron M. Field
J. Wesley Adams
Scott Hubacek
Hedy Phil Balani
Kevin McCarthy
Thomas S. Lynch
Editor:
Michael R. Miller
Editorial Production Assistant:
Madeleine Swift
Tara McKinley
Electrician:
Amy C. Halpern
Boyd Olson
Michelle Colbert
Steve Jezewski
Executive Producer:
Raymond Katz
Eric L. Gold
First Assistant Camera:
Richard Miller
First Assistant Director:
Elliot Lewis Rosenblatt
Scott White
First Assistant Editor:
Teressa Longo
Foley:
Joan Rowe
Jerry Trent
Foley Editor:
Tom Hammond
Mark Larry
Gaffer:
Shaun Madigan
Grip:
Mark Crawford
Kimo Easterwood
Charles M. Trotter
Hairstylist:
Florence Franklin
Key Grip:
Tom West
Leadman:
Gene Serdena
Lighting Artist:
Martin Bosworth
Location Manager:
Kojo Lewis
Makeup Artist:
Lori Tabak
Makeup Supervisor:
Laini Thompson
Music Consultant:
Russ Regan
Music Editor:
Jeff Charbonneau
Suzanne Hines
Musician:
Phillip Fisher
Bob Gibson
Walter A. Kibby II
Ms. Melodie
KRS-One
King Cotton
D-Nice
Jim Daniels
Chris Dowd
Norwood Fisher
David Dyson
John Boudreaux
Kendall Jones
Scott Morris
Angelo Moore
Negative Cutter:
Gary Burritt
Original Music Composer:
David Michael Frank
Other:
John Lawson
Producer:
Carl Craig
Peter McCarthy
Production Artist:
Robyn Reichek
Production Assistant:
Allen Kupetsky
Production Controller:
Marsha Koff
Production Coordinator:
Belinda Ellis
Production Design:
Catherine Hardwicke
Melba Katzman Farquhar
Production Illustrator:
Paul S. Power
Production Sound Mixer:
Oliver L. Moss
Property Master:
Greg McMickle
Props:
Frank Kostenko Jr.
Scenic Artist:
Karen Steward
Script Supervisor:
Linda Powell
Sculptor:
Cheng-Sim Lim
David Zen Mansley
Second Assistant Camera:
Brian Bellamy
Second Assistant Director:
Cathy Gesualdo
Second Second Assistant Director:
J. Kevin Swain
Set Decoration:
Edie Robinette-Petrachi
Kathryn Peters
Set Dresser:
Tom Cortese
Set Painter:
Tim James
Arlan Jay Vetter
Sound Re-Recording Mixer:
Wayne Heitman
Matthew Iadarola
Sound Recordist:
Jeanette Browning
Special Effects Assistant:
Gary L. King
Special Effects Coordinator:
Fred Cramer
Special Effects Makeup Artist:
Barbie Gotschall
Special Props:
Jason Cardwell
Steadicam Operator:
Kirk R. Gardner
Still Photographer:
Eddie Wolfl
Stunt Coordinator:
Alan Oliney
Stunts:
Bob Minor
Tony Brubaker
Wayne King
Darrell Giddens
Alex Brown
James M. Halty
Irving E. Lewis
Dennis Madalone
Kym Washington Longino
Ray Bickel
Gilbert B. Combs
Al Lee
Sharie Doolittle
Fritz Lieber
Kenny Endoso
Ed Hamilton
Mello Alexandria
Gregg Dandridge
Norman Howell
Melvin Jones
Eugene Collier
Kirk Elam
Tyann Means
Perry Nichols
Bufort McClerkins
John C. Meier
S.J. McGee
Robby Robinson
Rusty McClennon
Ric Wagner
Bennie Moore
Eric Mansker
Sharon Schaffer
Gary Price
Clifford Strong
Ernie F. Orsatti
Dwayne McGee
Shirley Walker
Gerard 'Gus' Williams
Supervising Sound Editor:
Dane A. Davis
John Kwiatkowski
Swing:
Mark Wilson
Bruce Bellamy
Thanks:
Carole Little
Transportation Captain:
Brian Maguire
Transportation Coordinator:
Brian Steagall
Unit Production Manager:
Andy Given
Video Assist Operator:
Adam Stern
Wardrobe Assistant:
Darlene Jackson
Nancy Steiner
Wardrobe Supervisor:
Sharon Rosenberg
Writer:
Keenen Ivory Wayans
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.