A work in constant progress (and occasional regress).
Release Date:
November 10, 1988
Original Title:
I'm Gonna Git You Sucka
Alternate Titles:
Dopadnę cię , frajerze !
Ghetto Busters
Voy a por ti
Genres:
Action | Comedy | Crime
Production Companies:
Front Films
Ivory Way Productions
Metro-Goldwyn-Mayer
Raymond Katz Production
United Artists
Production Countries:
United States of America
Ratings / Certifications:
BR: 16 DE: 12 US: R
Runtime: 88
Jack Spade returns from the army in his old ghetto neighbourhood when his brother, June Bug, dies. Jack declares war on Mr. Big, powerful local crimelord. His army is led by John Slade, his childhood idol who used to fight bad guys in the 70s.
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ADR Editor:
Greg Jacobs
Additional Camera:
Steve Grass
George Posedal
Additional Editor:
Stephen Semel
Additional First Assistant Camera:
Carolyn Chen
Luc G. Nicknair
Additional Photography:
Tom Segal
Apprentice Sound Editor:
Martha Atwell
Art Department Assistant:
Stephanie Golden-Falcon
Roger Stewart
Mathew 'Cory' Kroyer
Andrew Moore
Scott Williams
Jan Marie Sessler
Art Department Coordinator:
Elizabeth Flaherty
Assistant Art Director:
Chris Hopkins
Assistant Costume Designer:
Ceci
Assistant Editor:
Carolina Beroza
Assistant Hairstylist:
Guy Smith
Assistant Location Manager:
Earl West
Assistant Makeup Artist:
Edna Sheen
Assistant Property Master:
Arnold Peterson
Susan L. Bertram
Assistant Set Decoration:
Carol Eaton
Assistant Sound Editor:
Todd Toon
Rhonda Munzinger
Best Boy Electric:
César Augusto González
Best Boy Grip:
Ismael Araujo Jr.
Boom Operator:
Arthur Jackson
Camera Loader:
Anthony C. Cornelius
Carpenter:
Michael Craig Adams
Mark Fite
Ray Stoddard
Casting:
Jaki Brown
Robi Reed
Casting Assistant:
Kimberly Hardin
Choreographer:
Russell Clark
Co-Producer:
Tamara Rawitt
Eric Barrett
Color Timer:
Keith Parrish
Costume Design:
Ruth E. Carter
Craft Service:
David Falicki
Dialogue Editor:
G.W. Brown
Randy Vandegrift
Kimberly Lowe Voigt
Director:
Keenen Ivory Wayans
Director of Photography:
Tom Richmond
Dolly Grip:
Mark Emery Moore
Driver:
Thomas S. Lynch
Kevin McCarthy
Scott Hubacek
Hedy Phil Balani
Ron M. Field
J. Wesley Adams
Editor:
Michael R. Miller
Editorial Production Assistant:
Tara McKinley
Madeleine Swift
Electrician:
Boyd Olson
Steve Jezewski
Amy C. Halpern
Michelle Colbert
Executive Producer:
Eric L. Gold
Raymond Katz
First Assistant Camera:
Richard Miller
First Assistant Director:
Elliot Lewis Rosenblatt
Scott White
First Assistant Editor:
Teressa Longo
Foley:
Joan Rowe
Jerry Trent
Foley Editor:
Tom Hammond
Mark Larry
Gaffer:
Shaun Madigan
Grip:
Kimo Easterwood
Mark Crawford
Charles M. Trotter
Hairstylist:
Florence Franklin
Key Grip:
Tom West
Leadman:
Gene Serdena
Lighting Artist:
Martin Bosworth
Location Manager:
Kojo Lewis
Makeup Artist:
Lori Tabak
Makeup Supervisor:
Laini Thompson
Music Consultant:
Russ Regan
Music Editor:
Jeff Charbonneau
Suzanne Hines
Musician:
David Dyson
Ms. Melodie
Walter A. Kibby II
Chris Dowd
Angelo Moore
King Cotton
Jim Daniels
Norwood Fisher
Bob Gibson
John Boudreaux
D-Nice
Kendall Jones
KRS-One
Phillip Fisher
Scott Morris
Negative Cutter:
Gary Burritt
Original Music Composer:
David Michael Frank
Other:
John Lawson
Producer:
Carl Craig
Peter McCarthy
Production Artist:
Robyn Reichek
Production Assistant:
Allen Kupetsky
Production Controller:
Marsha Koff
Production Coordinator:
Belinda Ellis
Production Design:
Catherine Hardwicke
Melba Katzman Farquhar
Production Illustrator:
Paul S. Power
Production Sound Mixer:
Oliver L. Moss
Property Master:
Greg McMickle
Props:
Frank Kostenko Jr.
Scenic Artist:
Karen Steward
Script Supervisor:
Linda Powell
Sculptor:
Cheng-Sim Lim
David Zen Mansley
Second Assistant Camera:
Brian Bellamy
Second Assistant Director:
Cathy Gesualdo
Second Second Assistant Director:
J. Kevin Swain
Set Decoration:
Edie Robinette-Petrachi
Kathryn Peters
Set Dresser:
Tom Cortese
Set Painter:
Tim James
Arlan Jay Vetter
Sound Re-Recording Mixer:
Wayne Heitman
Matthew Iadarola
Sound Recordist:
Jeanette Browning
Special Effects Assistant:
Gary L. King
Special Effects Coordinator:
Fred Cramer
Special Effects Makeup Artist:
Barbie Gotschall
Special Props:
Jason Cardwell
Steadicam Operator:
Kirk R. Gardner
Still Photographer:
Eddie Wolfl
Stunt Coordinator:
Alan Oliney
Stunts:
Bob Minor
Ray Bickel
Alex Brown
Gilbert B. Combs
Kym Washington Longino
James M. Halty
Sharie Doolittle
Norman Howell
Ed Hamilton
Darrell Giddens
Irving E. Lewis
Dennis Madalone
Gregg Dandridge
Kirk Elam
Fritz Lieber
Tony Brubaker
Wayne King
Al Lee
Kenny Endoso
Mello Alexandria
Eugene Collier
Melvin Jones
Perry Nichols
S.J. McGee
Robby Robinson
Bennie Moore
Gary Price
John C. Meier
Dwayne McGee
Shirley Walker
Rusty McClennon
Sharon Schaffer
Bufort McClerkins
Eric Mansker
Tyann Means
Ric Wagner
Ernie F. Orsatti
Gerard 'Gus' Williams
Clifford Strong
Supervising Sound Editor:
Dane A. Davis
John Kwiatkowski
Swing:
Mark Wilson
Bruce Bellamy
Thanks:
Carole Little
Transportation Captain:
Brian Maguire
Transportation Coordinator:
Brian Steagall
Unit Production Manager:
Andy Given
Video Assist Operator:
Adam Stern
Wardrobe Assistant:
Nancy Steiner
Darlene Jackson
Wardrobe Supervisor:
Sharon Rosenberg
Writer:
Keenen Ivory Wayans
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Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.