A work in constant progress (and occasional regress).
Release Date:
October 31, 2002
Original Title:
28 Days Later
Alternate Titles:
28 Tage später
28 dager senere
28 days later...
28 päivää myöhemmin
28 วันให้หลัง เชื้อเขมือบคน
28日後
Devastación: 28 días después
Exterminio
Extermínio: Os Dias Estão Contados
Genres:
Horror | Science Fiction | Thriller
Production Companies:
DNA Films
Production Countries:
United Kingdom
Ratings / Certifications:
AE: 18+ AR: 16 AT: 14 AU: MA 15+ BG: D BR: 16 CA: 18A CH: 16 CZ: 12+ DE: 18 DK: 15 ES: 18 FI: K-18 FR: 16 GB: 18 GR: K-16 IE: 18 IN: A IS: 16 IT: VM14 JP: R-15 KR: 19 LT: N-18 MX: C NL: 16 NO: 18 NZ: R16 PE: 14 PH: R-18 PL: 18 PR: R PT: M/18 RU: 16+ SE: 15 SG: M18 SK: 15 TR: 18+ TW: R-12 US: R VI: R
Runtime: 113
Twenty-eight days after a killer virus was accidentally unleashed from a British research facility, a small group of London survivors are caught in a desperate struggle to protect themselves from the infected. Carried by animals and humans, the virus turns those it infects into homicidal maniacs -- and it's absolutely impossible to contain.
3D Animator:
John Harvey
Josh George
Olly Nash
Adrian Russell
Aerial Camera:
Adam Dale
Art Direction:
Rod Gorwood
Denis Schnegg
Patrick Rolfe
Boom Operator:
Orin Beaton
Camera Operator:
Marcel Zyskind
Bob Shipsey
Casting:
Gail Stevens
Contact Lens Technician:
Jemma Scott-Knox-Gore
Costume Design:
Rachael Fleming
Costume Supervisor:
Anne Lavender-Jones
Dialogue Editor:
Gillian Dodders
Digital Effects Producer:
Steve Garrad
Digital Effects Supervisor:
Tony Lawrence
Director:
Danny Boyle
Director of Photography:
Anthony Dod Mantle
Dolby Consultant:
Alex Hudd
Editor:
Chris Gill
Electrician:
Barry Reid
Mike Parsons
Foley:
Ruth Sullivan
Felicity Cottrell
Ricky Butt
Gaffer:
Thomas Neivelt
Generator Operator:
Wayne Mansell
Grip:
John Rundle
Makeup Artist:
Sian Grigg
Makeup Designer:
Sallie Jaye
Music Editor:
Hugo Adams
Lee Herrick
Original Music Composer:
John Murphy
Producer:
Andrew Macdonald
Production Design:
Mark Tildesley
Production Manager:
Sara Desmond
Prosthetic Makeup Artist:
Adrian Getley
Ian Morse
Lisa Crawley
Barrie Gower
John Schoonraad
Dee Sherwood Wallace
Anthony Parker
Tristan Schoonraad
Miho Suzuki
Justin Pitkethley
Kate Hill
Robin Schoonraad
Script Supervisor:
Eve Spence
Second Assistant Director:
Sara Desmond
Set Decoration:
Fanny Taylor
Sound Designer:
Glenn Freemantle
Ruth Sullivan
Sound Recordist:
John Rodda
Special Effects Makeup Artist:
Andy Garner
Special Effects Supervisor:
Bob Hollow
Special Effects Technician:
Sam Conway
Steadicam Operator:
Marcel Zyskind
Still Photographer:
Peter Mountain
Stunt Coordinator:
Nick Powell
Stunts:
Gary Powell
George Cottle
Tom Aitken
Rowley Irlam
Supervising Art Director:
Mark Digby
Supervising Sound Editor:
Glenn Freemantle
Visual Effects Editor:
Gary Sandbrook
Will Goodchild
Marcus Wood
Scott Winter
Writer:
Alex Garland
Most data and links to images for the Movies section come from TheMovieDB (TMDB).
Additional data for Film Titles come from The Open Movie Database (OMDb).
At least one plug-in comes from IMDb.
Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
Whereas the overall purpose of this website is to serve as a personal demo/portfolio/workshop of web and data skills, this Movies section is not meant to compete with or substitute for far more definitive movie websites.
Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.