A work in constant progress (and occasional regress).
Release Date:
May 27, 2009
Original Title:
Drag Me to Hell
Alternate Titles:
Arrastrame al Infierno
Drag Me to Hell - Fahr mich zur Hölle
Jusqu'en enfer
Llévame al Infierno
Malédiction de l'enfer
Затягни мене до пекла
Genres:
Horror | Thriller
Production Companies:
Buckaroo Entertainment
Curse Productions
Ghost House Pictures
Mandate Pictures
Universal Pictures
Production Countries:
United States of America
Ratings / Certifications:
BR: 14 CA: 14A CH: 16 CZ: 18+ DE: 16 DK: 15 ES: 18 FR: 12 GB: 15 HU: 16 IE: 15A IT: T JP: R18+ KR: 15 NL: 16 PL: 16 PT: M/16 RO: 18 US: PG-13
Runtime: 99
After denying a woman the extension she needs to keep her home, loan officer Christine Brown sees her once-promising life take a startling turn for the worse. Christine is convinced she's been cursed by a Gypsy, but her boyfriend is skeptical. Her only hope seems to lie in a psychic who claims he can help her lift the curse and keep her soul from being dragged straight to hell.
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"A" Camera Operator:
Patrick Rousseau
ADR & Dubbing:
Carin Rogers
Michael J. Benavente
Ulrika Akander
Additional Photography:
John Frost
Paul Hughen
Animation Supervisor:
Tom Gibbons
Animatronic and Prosthetic Effects:
Wayne Toth
Art Department Coordinator:
Michael A. Truesdale
Art Direction:
James F. Truesdale
Assistant Art Director:
Steven Samanen
Assistant Costume Designer:
Elaine Perlmann
CG Supervisor:
Russell Darling
Camera Car:
Grady Allen Bishop
Camera Operator:
Patrick Rousseau
Casting:
John Papsidera
Chief Lighting Technician:
Michael LaViolette
Co-Producer:
Cristen Carr Strubbe
Ivan Raimi
Construction Coordinator:
Steve A. Hagberg
Costume Design:
Isis Mussenden
Costume Supervisor:
Nancy Capper Au
Dialogue Editor:
Larry Kemp
Digital Intermediate:
Stefan Sonnenfeld
Erik Rogers
Kamila Baghernejad
Director:
Sam Raimi
Director of Photography:
Peter Deming
Dolby Consultant:
Bryan Pennington
Driver:
Grady Allen Bishop
Editor:
Bob Murawski
Executive Producer:
Joseph Drake
Nathan Kahane
Joshua Donen
First Assistant Director:
Michael J. Moore
First Assistant Editor:
Sean Valla
Foley:
Monique Reymond
Hairstylist:
Carol A. O'Connell
Janice Alexander
Leadman:
Kenneth Turek
Makeup Artist:
Michael F. Blake
Michael Germain
Ken Niederbaumer
Susan Stepanian
Makeup Department Head:
Luisa Abel
Music Editor:
Thomas Milano
Original Music Composer:
Christopher Young
Producer:
Robert Tapert
Grant Curtis
Sam Raimi
Producer's Assistant:
Romel Adam
Production Design:
Steve Saklad
Property Master:
Ellen Freund
Prosthetics:
Gary Archer
Script Supervisor:
Rebecca Boyle
Sculptor:
Dewaldt Hicks
Second Assistant Director:
Giselle Gurza
Second Unit Director of Photography:
Paul Sanchez
Set Decoration:
Don Diers
Set Designer:
George Lee
Sound Designer:
Jussi Tegelman
Paul N.J. Ottosson
Sound Effects Editor:
Chris M. Jacobson
Sound Re-Recording Mixer:
Marti D. Humphrey
Roberto Cappannelli
Special Effects Coordinator:
Chris Burton
Special Effects Makeup Artist:
Greg Nicotero
David A. Brooke
Norman Cabrera
John Wheaton
Aimee Macabeo
Howard Berger
Rob Hinderstein
Stand In:
Mick Cain
Caroline Fife
Abbie Cobb
Piper Moretti
Still Photographer:
Melissa Moseley
Stunt Coordinator:
Randy James Beckman
Stunt Double:
Richard Kwon
Anna Mercedes Mendez
Gregg Pittman
Lisa Hoyle
Robert Alonzo
Stunts:
Brandon Cornell
Joey Dickey
Michael McGuire
Dana Reed
Scott Rogers
Mark Chadwick
Audi Resendez
Chris Daniels
Wade Eastwood
Denney Pierce
Supervising Sound Editor:
Paul N.J. Ottosson
Transportation Coordinator:
Geno Hart
Unit Publicist:
Will Casey
Utility Stunts:
Arturo Dickey
Victor Winters-Junco
Brandon Beckman
Jason Shupe
Visual Effects:
Q Fortier
Visual Effects Art Director:
Ben Vonzastrow
Visual Effects Editor:
Jody Fedele
Sean Valla
Visual Effects Producer:
Sarah M. Bavero
Jennifer Hutcheon
David Kenneth
Reid Paul
Lars Bartkær
Paul Hill
Dione Wood
Visual Effects Supervisor:
John Grower
Bruce Jones
Thomas Schelesny
Aaron Kaminar
Jason Howey
Jeppe N. Christensen
Visual Effects Technical Director:
Jim Aupperle
Writer:
Ivan Raimi
Sam Raimi
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Data are -- hey, it's a plural -- subject to the limitations of their sources. (For example, TMDB search results currently max out at 20.) I am limiting myself to free data sources for now. (No, a "free trial" is not free.)
While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
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Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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Whether or not he still clings to an award which he won in 1986 as a film critic for his college's newspaper, Jeffrey Hartmann is not responsible for the texts of overviews and biographies supplied by external data sources.