A work in constant progress (and occasional regress).
Release Date:
January 31, 2013
Original Title:
Alle for to
Genres:
Comedy | Crime
Production Companies:
Fridthjof Film
TV 2
Production Countries:
Denmark
Ratings / Certifications:
DK: 7 SE: 15
Runtime: 89
This sequel to the box office hit All for One finds the previously tight-knit trio dispersed: Nikolai is on parole, while brothers Ralf and Timo are planning a heist involving the unlikely combination of unsalted butter, a strict diet and a helicopter. When their seemingly impossible heist succeeds, Nikolai asks to borrow some money to start over. The brothers reject him, but when all three of them are tricked by a fish-loving banking executive, they are forced to team up again.
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"A" Camera Operator:
Philippe Kress
"B" Camera Operator:
Anders Hansen
Assistant Makeup Artist:
Bettina Züberlein
Casting:
Karin Jagd
Continuity:
Anna-Liisa Putkinen
Costume Assistant:
Katrine Tersgov
Costumer:
Lone Friis
Director:
Rasmus Heide
Director of Photography:
Philippe Kress
Editor:
Martin Wehding
Executive Producer:
Mick Øgendahl
Stefan Frost
Henrik Underbjerg
First Assistant Director:
Peter Hingebjerg
Grip:
Lars Snitt Weirsøe
Jens Peder Pedersen
Key Costumer:
Helle Nielsen
Key Makeup Artist:
Henrik Steen
Line Producer:
Tina Winholt
Makeup Trainee:
Lea Sonne
Music:
Mikkel Hess
Rasmus Bille Bähncke
Post Producer:
Jacob Clemmensen
Post Production Coordinator:
Linda Hornbøll
Mette Drisgaard
Post Production Supervisor:
Toke Rude Trangbæk
Producer:
Ronnie Fridthjof
Elisabeth Victoria Poulsen
Production Assistant:
Anne Hedegaard
Mia Kronborg
Production Coordinator:
Simone Adalberth Jørgensen
Production Design:
Peter De Neergaard
Production Executive:
Peter Hingebjerg
Script Consultant:
Thomas Hartmann
Second Assistant Director:
Henrik Danielsen
Sound:
Morten Holsted
Henry Michaelsen
Mikkel Furbo
Kim Dalum
Sound Designer:
Henrik 'Gugge' Garnov
Sound Editor:
Hamid Hagh
Still Photographer:
Per Arnesen
Henrik Ohsten
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While much of the above data are retrieved directly from outside APIs and other such sources, data from American Film Institute (AFI) and British Film Institute (BFI) were manually entered the old fashioned way into a MySQL database. Re BFI I took the following liberties:
Regarding profile removals and data corrections:
Filtering is applied here to film projects flagged as "adult" by TheMovieDB. Pending "popular demand" I am contemplating a login and profile system with preferences (such as whether to allow adult images to appear) and permissions (such as data entry).
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